In 2025, Geelong Contemporary is thrilled to once again host the annual Geelong Contemporary soirée—an exciting event that directly supports the Gallery’s efforts to expand its contemporary art collection. The soirée is not just a celebration of art but a chance to participate in the future of the collection and discover new contemporary artists all while enjoying a glamourous night with the Gallery as a beautiful backdrop.
Through its advocacy, engagement and fundraising, Geelong Contemporary has worked tirelessly to help Geelong Gallery build a collection with a lasting legacy of dynamic, thought-provoking contemporary art that speaks to the times.
Stay up to date with what’s happening in and around the region here.
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At the heart of the soirée is a unique opportunity for guests to be a part of the acquisition decision. The evening will feature a selection of captivating contemporary works proposed for acquisition by Geelong Gallery. Guests will get to vote on which work Geelong Gallery will add to the collection next!
These artworks are chosen from a curated list of contemporary artists that will strengthen the Gallery’s public collection.
The Geelong Contemporary soirée is a chance to connect with the vibrant world of contemporary art in a fun, dynamic atmosphere. Whether you’re a seasoned art collector, an avid enthusiast, or someone just beginning to explore the world of art, this event offers something for everyone.
You’ll not only be able to witness the evolution of Geelong Gallery’s collection but also have a direct hand in shaping its future.
If you’re unable to attend, you can still play a crucial role in supporting the growth of contemporary art at Geelong Gallery. Consider making a donation to Geelong Contemporary—every contribution helps foster the continued acquisition of important works that will be cherished for generations.
Join in on an unforgettable night filled with art, conversation, and a shared passion for supporting contemporary artists, get your tickets for the soirée here.
If you’re all about living life on the go and enjoying a good drink without the fuss, Great Ocean Road Gin (GORG) has just launched something you’ll definitely want to check out.
Keep up with the latest food and booze news across the region here.
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Inspired by the stunning beauty and unique botanicals of the iconic Great Ocean Road, GORG has come up with a clever solution for those who want to take their gin and vodka with them on the road, but without the hassle of heavy glass bottles. The Traveller is a prefilled, lightweight, recyclable, and food-grade bottle that’s perfect for anyone embracing the caravan, camping, hiking, van life, or just the general “let’s-go-on-an-adventure” vibe. Plus, it’s BPA-free, so it’s as kind to the planet as it is to your taste buds.
Whether you’re unwinding by a campfire, toasting to a breathtaking sunset, or enjoying a weekend at a festival, The Traveller bottle is designed to make it easy. No more lugging around bulky glass bottles. The lightweight design is a game-changer, and the best part? You get a perfectly measured pour every time, so there’s no guesswork involved—just the right amount of GORG spirit, ready to mix with your favourite tonic or cocktail ingredients.
But wait, there’s more! GORG’s not just stopping at The Traveller. They’re also offering four refreshing pre-mixed options in convenient cans, including Gin & Tonic, Gin Spritz, and Tropical Vodka. Ideal for those grab-and-go moments when you want something tasty without any extra hassle. It’s all the flavour, none of the work.
If you’re in the area this weekend, make sure to swing by the Mornington Outdoor Living and Caravan Show, where the full range of Traveller bottles and premixed cans will be available for tasting and purchase.
So, whether you’re camping, hiking, or just hanging out with mates, Great Ocean Road Gin’s new Traveller Range is here to make your adventures even better. Cheers to that!
Crafting characters and landscapes with a tinge of science fiction, Aleks’s huge street murals are known for their vibrant neon colours, high levels of detail, and overall trippy vibes. On display all over Victoria, Aleks has made a name for himself by livening up brick walls with his surreal, captivating style since his art school days.
His work will be on display for all to see at this year’s Frankston Street Art Festival from 17-23 March, showcasing a variety of artistic techniques and mediums such as spray paint and rollers on extended poles, as well as a wide array of brush types.
Stay up to date with what’s happening in and around the region here.
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Dedicated to working in the public domain, as well as on canvas for smaller-scale commissions, Aleks commonly explores the intersections between humanity and technology. His characters are frequently clad in expressive and futuristic apparatus which lends his work a fun, quirky style not overly dissimilar to the inventive, biomechanical art of H.R. Giger.
When asked to name some of the artists who inspired his work, he sucks air through his teeth and exclaims, “Oh, man! There’s so many, I don’t know…” A long pause follows before he counters, “Alright. Max Beckmann…” he says, citing the austere German Expressionist painter.
When asked for others, he surrenders: “I dunno, I can’t give you anyone!”
After moving to Melbourne, Aleks soon found his footing within the Naarm street art scene. Drawn primarily to mural artists, whose larger-scale works possessed a degree of safety and certainty not afforded to the more ephemeral nature of street art, Aleks discovered the Frankston Street Art Festival and began volunteering.
His work at the festival last year proved a positive experience, especially when given the opportunity to engage directly with so many of his fellow street artists. “It’s a really cool event,” he says. “I just really love those events – getting all these artists together, all working on something throughout the week… It’s special.”
As such, Frankston is an area for which Aleks holds keen affection, thanks largely to the artistic community with whom he has engaged there. This year’s street art festival represents another opportunity to discover new work while also connecting with new artists.
Melbourne’s street art scene in particular is revered the world over, earning regular debate as to whether it should qualify for protection under heritage listing. There is a rich history here of accessible art that can be enjoyed by patrons of any income bracket – the city even has an original mural by Keith Haring, arguably the world’s most famous street artist and a keen proponent of public art.
When asked how his own work fits into this legacy, Aleks lights up.
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“Oh, one hundred percent!” he says. “It’s the art for the people, anyone can really enter it and enjoy it. It’s there on display for everybody around it – but in the same way, it’s not protected, either. Something you did can get destroyed the next day and, you know, I think your stuff has to be at a certain level of standard.”
The understanding that his art can simultaneously be admired or simply sprayed over by other graffiti artists is a duality that he can closely understand, coming from a dual background in both fine art studies and open-air mural painting.
It was thanks to that fine arts education that Aleks came to the realisation painting was all he ever wanted to do. He began making murals for clients while balancing other part-time work, though it was the pandemic that really focused his work slate with only street art commissions.
“Since then,” he says, “I haven’t done any other work that isn’t painting. I’m pretty dedicated to it now, it’s all I think about…” He pauses for a moment, and laughs. “Too much! Perhaps.”
Aleks continues to dedicate huge amounts of his time, energy, and ability to his chosen artform, and we all get the benefit of seeing it out in the open and free-of-charge.
Take a look here for a breakdown of the all events and guest artists on show at this year’s Frankston Street Art Festival
This article was made in partnership with Frankston City Council.
Another huge night of rock with The Relays, The Antics, Melonade plus DJ Lonny. $15 on the door
A five-piece powerhouse hailing from the beautiful shores of Torquay, Victoria.
With roots deeply planted in classic blues, blues-rock, and roots music, Arch Revival brings a refreshing twist to the blues.
Our awesome monthly open mic night hosted by Surfcoast Open continues every 3rd Thursday. Come along to check out the amazing talent that the Surfcoast has to offer. For more information check out the Surfcoast open instagram @surfcoastopen Performer sign up – dm Surfcoast open on instagram FREE ENTRY
FREE
Baulch’s idea for the film began in 2021, during a time of major life changes—she was pregnant with her son. “I thought, I’d love to have a creative record of this special time,” she explained. But as the months passed, it became clear that juggling independent filmmaking and pregnancy wasn’t the easiest combo. “I kept the script in a drawer,” she said, “and brought it out when I could carve out some ‘me-time’, post-partum.”
Stay up to date with what’s happening within the region’s art scene here.
By 2023, a stroke of good luck struck when Baulch applied for a grant from Geelong Waterfront Film and, much to her delight, won. This unexpected opportunity set the wheels in motion for production, which began in the summer of 2024. The film was completed later that year, thanks to the efforts of her husband and long-time collaborator Dallas Bland, who worked as the film’s editor, along with the post-production team.
At its core, Lara follows Emily, a burnt-out Melbourne photographer who’s become so absorbed in her art that she’s lost touch with her own needs. Emily’s visit to her boyfriend’s sister in the countryside town of Lara forces her to confront questions about a future she never imagined. The film, as Baulch describes, explores “the death of the self, family, and how hustle culture impacts our lives and relationships.”
Set and shot in the real-life town of Lara, Victoria, the film captures the unique community values that help foster change. “It reflects the incredible support you can find in small communities,” Baulch said, emphasizing how the town’s spirit plays a pivotal role in Emily’s journey.
While the production process wasn’t without its challenges, Baulch reflects on the journey with a sense of gratitude. “The week prior to the shoot was filled with some big events,” she recalled. “My son and husband both required hospital stays, I was working on the Liam Neeson film Road to the Sky, and we had to push our shoot dates.” Despite the setbacks, she praises the dedication of her crew and cast, expressing how “getting everyone to set was an achievement.”
Perhaps one of the most poignant moments of synchronicity came during the final day of shooting. “The day we wrapped, white butterflies took over Geelong. Butterflies symbolize rebirth, hope, and bravery,” Baulch noted, calling it an uncanny match for a film exploring themes of transformation.
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Seeing Lara come to life has been a deeply rewarding experience for Baulch, thanks in part to her talented team. “From my first meeting with producer Natalia Bornay, everything was elevated,” she said. “Olivia Fildes, our lead actor, was incredible. She read the character brief and instantly connected with the material.”
Baulch also expressed joy in working with Darcy Kent, who played Ross. “I wrote the part specifically for Darcy. We trained together years ago, and I’ve always admired his work,” she said. As for her husband, the collaboration extended beyond production, with Dallas editing the film. “Having him involved was a highlight. He took everything to a new level with his attention to detail,” she added.
Now that the film is complete, Lara is in talks with festivals and arts curators for screening opportunities. “We hope to screen publicly in Lara and Geelong soon!” Baulch shared. For those interested in following the film’s journey, updates will be available via her Facebook page and the production company, Dos Hermanas.
Baulch also took a moment to recognise the invaluable support she received from Geelong Waterfront Film. “This group of people truly supports and loves both film and the region. I recommend other filmmakers and actors connect with them. We’re incredibly lucky to have them in our corner.”
Lara may be just getting started on its festival journey, but it’s clear that Baulch’s passion and dedication have already left a lasting impact. Lara is bound to touch the hearts of audiences both in Geelong, and far beyond it.
This March marks nearly a decade of fostering creativity, celebrating under-the-radar poetic voices, and connecting poets with their community. After much thought, the team has decided it’s time to press pause and take a breather.
Stay up to date with what’s happening within the region’s art scene here.
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The trio; Annie, Josh and Yas, took to instagram yesterday to share the news.
“We are so proud to have fostered creativity in this town of ours, and encourage poetic voices that aren’t usually shared to be celebrated. How amazing it has been!
“Thank you to everyone who has ever attended lowercase as it’s shifted over multiple venues, grown and changed and become a staple social event for many poets and poetry appreciators.
“We are looking forward to taking some more time to focus on our own writing, rest and reevaluate. We couldn’t have built this community without the help and attendance of all of you, so thank you once again!”
Over the years, lowercasepoetry has become a staple for many poets and poetry lovers. From intimate local nights to some shifts in venue and style, it’s been a space where raw, creative voices were celebrated. But now, it’s time to reflect and rest, leaving behind a legacy of poetry and friendships.
But don’t fret, it’s not quite a final goodbye. “It’s a see ya later,” they say. You can still catch the crew for one last hurrah TONIGHT—so don’t miss out! And keep an eye on the socials, because who knows what might pop up in the future!
So, big love and gratitude from the lowercasepoetry team. And remember, it’s not goodbye, it’s just for now.
The tour isn’t just a stroll down memory lane—it’s a celebration of Kate’s platinum hits and a love letter to some of the most iconic tunes that shaped Australian music. She’ll be diving into her own back catalogue, of course, but expect to hear renditions of songs by the likes of INXS, Jimmy Barnes, Sia, Icehouse, Paul Kelly, and more. It’s a collection of the songs that have defined Kate’s extraordinary career and Australian music itself.
June
July
Full tour dates and tickets here!
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Kate says it best: “It’s so important for me to express my culture, my Australia, in song. This is a love letter to the artists, bands, audiences, and storytellers who I’ve travelled with over this vast continent for four decades.” She’s not just singing songs; she’s making them hers, letting the heart of Australian music beat in every note.
But it’s not just about the tunes—it’s the stories too. From her early days with I’m Talking to her collaborations with everyone from Divinyls and Models to Jimmy Barnes and Sia, Kate’s got a treasure trove of wild, rock’n’roll tales. Think stolen kisses, wild nights, and memories that are firmly locked away in her heart.
The Australian Made Tour is a chance to dive into the deep pulse of Australia’s musical history through the eyes of one of its most enduring stars. Kate’s giving fans a front-row seat to her journey, all while keeping the spirit of Aussie rock’n’roll alive, raw, and untamed—just like the good ol’ days before social media made everything too polished.
The tour’s name? A full-circle moment for Kate. Back in 1986, at just 20 years old, she took the stage with I’m Talking on the original Australian Made tour. Nearly 40 years later, she’s returning to her roots, this time as the headliner, offering fans a glimpse into the untold stories of a music legend.
Joining Kate on the road will be two powerhouse musicians: guitarist and producer Harts, and the incredibly talented Kathleen Halloran, who’s embarking on her very first national tour with her own work. The lineup promises a journey through time as they effortlessly weave together eras, influences, and the kind of magic only live music can bring.
Time to celebrate the heart and soul of Australian music with Kate Ceberano. Don’t miss it!
Australian singer-songwriter Pete Murray has just released his highly anticipated new single, I Am Fire, an emotionally charged tribute to everyday heroes. This stirring track, showcasing Murray’s endless charm, arrives alongside a significant announcement: a mammoth 55-date solo acoustic tour that will take him across Australia for the first time in this intimate format.
Keep up with the latest music news, festivals, interviews and reviews here.
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Murray’s latest single ‘I Am Fire’ is a moving ode to resilience, accompanied by a melody that blends powerful emotions with tranquil arrangements. Murray speaks of the track’s creation, revealing his excitement about a new guitar that helped shape the song’s sound. “I just bought a Gibson 1971 Classical guitar before I recorded ‘I Am Fire’ and I knew this guitar had to be on this song. I love the classical guitar sound Rodriguez uses on his recordings, and it’s that same 60s/70s classical guitar sound that I was going for. The guitar created a real mood on the song that works well with the lyrics,” he shares.
The release of this single marks a new chapter for Murray as he prepares for his largest tour ever. Fans across Australia will have the chance to witness Pete Murray’s raw talent up close, as he takes the stage solo with just his acoustic guitar and an impressive setlist of his beloved hits. This extensive tour, which starts in May and concludes in September 2025, will reach new regions and cities, some of which Pete has never visited before.
The 55-date tour, which includes a mix of regional and capital city performances, kicks off on 9 May in Darwin and will see Murray visit a wide range of markets across the country, including areas in the Northern Territory, Victoria, Tasmania, Queensland, New South Wales, and Western Australia. The tour will wrap up on September 7 in the Blue Mountains, marking a truly special conclusion to what is sure to be an unforgettable journey.
Tickets for the solo acoustic tour will go on sale to the general public on 21 March at 10 AM local time, with presale tickets available starting 18 March. Fans can purchase tickets via Murray’s official website.
Pete’s upcoming solo tour follows the success of his 2024 single Wouldn’t It Be Good, adding to the excitement surrounding this next phase of his career.
As one of Australia’s most successful singer-songwriters, I Am Fire represents an emotional milestone in Murray’s musical journey, and the upcoming tour promises to be an equally meaningful experience for his devoted fans.
But as with any band that’s been around for decades, the question arises: What’s next? Do they keep pushing forward with new music and tours, or step back and focus on individual projects? For Vicki, the answer isn’t simple—but it’s rooted in the loyalty to their fanbase and the love they still have for the music.
Keep up with the latest music news, features, festivals, interviews and reviews here.
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“We’re at the cusp where we’re deciding—do we keep recording new music and touring, or do we… not call it a day, but take a step back?” Vicki says, acknowledging the complex decision the band faces. “We’ve all got solo projects going, and we’re invested in those. But there’s so much love for The Waifs and the music, and there’s this real loyalty to our fanbase. They’re still emailing, asking when we’re touring next. So, the motivation behind our tours is really about that loyalty.”
Despite the challenges of distance and separate lives—The Waifs no longer live in the same states—there’s an undeniable magic when they come together. “We’ve been playing together for almost 35 years, so we know each other really well. We’re still writing new songs, but it’s harder to come together. But when we do a tour and go to these regional places, selling out months before, there’s still this real love for this music. Maybe it’s having a resurgence—it’s amazing we can still do that .”
In a career that’s spanned decades, it’s rare for a band to enjoy such longevity, but The Waifs have managed to keep their audience engaged and excited. “I think it’s a rare position to be in, as a band, to have such enduring love from the audience.”
As they gear up for their upcoming tour, Thorn is excited about the setlist, which will blend nostalgia with fresh elements. “When you see The Waifs, there’s always an element of nostalgia. We’ll have 5-6 songs that don’t leave our set—songs like ‘Lighthouse,’ ‘London Still,’ ‘Bridal Train,’ and a lot from our Up All Night album. But for our own interest, we like to muck around with new songs, especially in Victoria, where The Waifs first started out as an acoustic trio. We bring that element into our shows too.”
What’s even more exciting about this tour is the unique mix of venues; from the high-energy SummerSault gigs, which feature tight, hour-long sets on bigger stages, to the intimate regional theatre shows, each with its own vibe and energy. “This tour is a bit unusual because we’re doing all the SummerSault gigs, but then we’re also playing in regional theatres, which is a completely different vibe. It’s interesting because there’s more of a performance aspect to those theatre shows, and I’ve got to get my head around that. We like doing both, though. It’s a switch in mindset, but it’s really fun.”
While touring and performing have evolved over the years, Vicki still finds joy in the small, simple things. “I put it back to the audience—people in the regional theatre shows don’t mind interacting with you, and that’s always fun. But getting back in the van with my tour family is the best part. You’re talking shit, mucking around—spending hours with these people you don’t see much of outside of work. It’s like getting to check back into this life we used to live.
As any seasoned musician knows, packing for tour is an art form, and Thorn has a few essentials she always brings along. “I always take a scarf because I have to tie my head to the headrest. It’s like creating my own little shroud—sometimes I’m just hiding out in a public space for my own personal bubble. And, of course, noise-cancelling headphones are a lifesaver.
“Josh used to bring a sewing machine on tour. He was always prepared for anything, even outside of sewing. If you needed something fixed, you’d go to Josh. His packing is fascinating.”
But beyond the practicalities of touring, Thorn is deeply grateful for the support the band has received over the years, especially in Victoria, where their journey began. “Victoria is where it all started for us. Our audiences there have always been so supportive. We cut our teeth in Melbourne, and it felt like such a supportive environment. Sometimes music can be clique-y, but Melbourne was a real sense of community among musicians.”
In a fitting tribute to those early days, Thorn fondly remembers her hustle to get coverage for the band. “I used to call up Forte Magazine and hassle editors for a little blurb. It’s incredible to see that Forte is still around after all this time and doing such great things for regional scenes.”
As The Waifs approach another tour, their longevity is a testament to the deep connection they’ve fostered with their fans, and the love they have for the music and for each other.
Despite the years and the challenges, the band remains as dedicated to their art as ever, and their audience’s unwavering support is a reminder of the power of music to endure and bring people together.
The latest instalment of Highly Contagious is heading to regional Victoria for its first-ever country edition, following its explosive debut at Brunswick’s Estonian House in March. Gut Health have teamed up with local outsider operators Slow Clap to curate an impressive lineup featuring some of Melbourne’s most compelling acts.
The special afternoon soiree will take place at the historic Theatre Royal in Castlemaine, delivering a diverse range of performances across the venue.
Keep up with the latest music news, festivals, interviews and reviews here.
Alien Nosejob, the prolific project of Jake Robertson (Ausmuteants, Leather Towel), will bring their frenetic post-punk energy to the stage, while the enigmatic Gregor will deliver their uniquely woozy and otherworldly pop. Adding to the eclectic mix, Palm Springs will showcase their distinctive sound alongside headline act Gut Health, with Miss Brenna O of Wet Kiss and Silicone Prairie keeping the vibe flowing between sets.
This regional expansion follows the event’s successful Brunswick debut, which featured international acts Sneaks (USA) and Frenzee (GR) alongside local talent Vanessa Worm (NZ) and DJs Lori and Cease and Desist.
The event represents a significant moment for the regional music scene, offering country fans access to cutting-edge acts typically confined to inner-city venues. This cross-pollination between urban and regional music communities aims to strengthen Victoria’s diverse musical ecosystem.
Gut Health and Slow Clap have acknowledged the Dja Dja Wurrung people as the traditional owners of the land on which the event will take place, paying respects to all First Nations elders past and present.
With tickets already selling fast, music enthusiasts are encouraged to secure their spots promptly to avoid missing this unique celebration of Victoria’s vibrant music scene.
For more information, head here.
Get ready, Geelong! The Hot Chicken Project is celebrating a major milestone — their 10th birthday! It’s not just any birthday bash, but an epic celebration with good vibes, great food, and a little ink to top it off.
Keep up with the latest food and booze news across the region here.
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General Manager Nathan Mays couldn’t be more excited about hitting this decade-long milestone.
“We want to extend our heartfelt thanks to our regular guests, long-term supporters, and even the new visitors who have made this journey possible,” he shared. “Their ongoing support, love for good food and drink, and shared passion for what we do have kept us going strong for a decade.”
It’s been a wild ride over the last 10 years. From navigating Geelong’s ever-evolving CBD to surviving the twists and turns of the COVID-19 pandemic, The Hot Chicken Project has stayed true to its roots, bringing that signature heat to the community.
“We’ve faced challenges that tested our resilience, but through it all, we’ve adapted, grown, and continued to bring our love for bold flavours and great hospitality to our community,” Nathan added.
But it hasn’t been all about overcoming obstacles. The Hot Chicken Project’s success is also about the incredible team behind it. “One of our greatest achievements has been the amazing team of staff we’ve been lucky enough to employ over the years. Their dedication, passion, and hard work have shaped what The Hot Chicken Project is today.”
And it’s not just about the local scene anymore — the fried chicken joint has spread its wings across the country with pop-up venues in Anglesea, Adelaide, and Ballarat.
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To celebrate this exciting milestone, The Hot Chicken Project is throwing a party you won’t want to miss. Live tattoos will be inked all day by local legends Wade Johnstone, Lewis Hussey, Kurt Anthony, Amily Elizabeth, Dane M, and Chris Jones.
Plus, there’s a killer meat raffle on offer, and the bar will be serving up a stellar selection of Doom Juice wines to wash it all down.
This isn’t just about a birthday, though. “This milestone is more than just a birthday; it’s a testament to the resilience, passion, and community spirit that has defined The Hot Chicken Project for the past decade,” says Nathan.
So, if you love great food, bold flavours, and a bit of ink, this is the celebration for you. Head down to The Hot Chicken Project on 30 March and join the crew for an unforgettable day of fried chicken, tattoos, and a whole lot of love for the community that made it all possible.
Not only does Avalon bring together the best of both military and civil aviation, but this year, they’ve made some serious upgrades to make it bigger, better, and more exciting than ever before. There’s a whole lot to look forward to, so let’s dive in!
Stay up to date with what’s happening in and around the region here.
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More Exciting Than Ever
First up, the public viewing area is back on the flightline—yes, you heard that right! Bring a trusty, comfortable chair and find yourself a spot to watch those jaw-dropping aerial displays, and trust us, you won’t want to miss a single moment. From heart-pounding fighter jets to graceful aerobatic displays, these planes will be putting on a show you’ll never forget.
Friday Night Alight – A Must-See
Australia’s only night airshow performance – If you’ve never experienced planes lighting up the night sky, you’re in for a real treat. With a thrilling mix of glowing aircraft, fiery pyrotechnics, and the iconic Wall of Fire finale, this is a highlight of the event that will leave you absolutely awestruck. The night will literally light up with high-flying action, and you’ll want to make sure you’re there for every second of it.
Get Up Close and Personal
While the flying displays are a major draw, there’s something special about getting up close to the aircraft on the ground. This year, there are more opportunities than ever to see the planes on the ground and even meet the amazing pilots who fly them. The F-35 and F-18 Super Hornet from the Royal Australian Air Force, along with the United States Air Force F-22 Raptor Demonstration Team and the Pacific Air Forces F-16 Demonstration Team, are just some of the jaw-dropping aircraft that’ll be on display.
And wait for it—this year, we’ve got a Red Bull Ampol Racing Supercar going head-to-head with a Matt Hall Racing MXS-R Aircraft on the tarmac. This is the first time something like this has ever been done at Avalon, and you definitely don’t want to miss the excitement as these high-speed machines go toe-to-toe in a race like no other.
Getting There Made Easy
We all know the hassle of getting to big events, but Avalon’s got you covered. If you prefer to take public transport, you can catch a V/Line train to Lara Station, where continuous shuttle buses will be waiting to whisk you straight to the event site. It’s the perfect way to relax and enjoy the ride—plus, you’ll get to see some great views on your way there!
Additionally, to make your arrival and departure as smooth as possible, Avalon is introducing Park & Ride facilities for the first time. No more stressing about traffic and parking—just park at one of the designated locations on the Geelong and Melbourne sides of Avalon and hop on a bus to the airshow site. Spots are limited, so it’s encouraged to pre-purchase your Park & Ride ticket when buying your event pass. Onsite parking is also available at a cost but selling out quickly, so grab your spot early.
The Military Aircraft Lineup: Thrilling Aerial Demonstrations
Expect an impressive roster of military aircraft from Australia and around the world, with major participation from the Royal Australian Air Force (RAAF) and international Air Forces. Confirmed participants include the Royal Australian Air Force’s F-35 Lightning II, known for its stealth and maneuverability, and the USAF’s F-22 Raptor, which will wow the crowd with its unmatched speed and precision. Other crowd favourites like the F/A-18 Super Hornet will also be performing impressive aerial feats.
Check out the full line-up here and keep an eye out for the flying program updates – coming soon!
These awe-inspiring machines are just the beginning, with more aircraft expected to join the lineup. Remember, some aircraft will be available for static display only, and the final flying program may shift, so stay tuned for updates closer to the event.
Exciting Ground Displays and Aircraft Experiences
The action isn’t just happening in the sky—there’s plenty to see on the ground as well! Avalon 2025 will feature a range of ground displays and interactive experiences where you can get up close and personal with some of the aircraft:
Military Working Dog and Drone Zone: A High-Flying Challenge!
Get ready for an adrenaline-fueled experience in the Military Working Dog and Drone Zone. Witness high-speed drone racing as expert pilots navigate complex courses with precision, and be amazed by the skill and discipline of military working dogs as they showcase their tactical abilities. This dynamic zone offers a unique blend of cutting-edge technology and elite training in action—a must-see at Avalon 2025!
Industry Exposition: Where Innovation Takes Flight
The Industry Exposition at Avalon 2025 is the place to be for anyone interested in the latest advancements in aviation, aerospace, and defence technology. With exhibitors from all over the globe, this is your chance to get up close and personal with cutting-edge technologies that are pushing the boundaries of flight. Whether you’re into military tech, commercial aviation, or space exploration, you’ll find the most advanced equipment and systems on display. Plus, if you’re in the industry (or thinking about entering it), the exposition is a goldmine for networking opportunities, with experts and industry leaders sharing their knowledge and insights.
Hall 1-3 is open on Friday until 1700, Hall 4 remains open over the weekend.
General Aviation: More Than Just the Big Birds
If you’re more into the lighter side of aviation, the General Aviation area is where you’ll want to be. This section of Avalon showcases the beauty of smaller, private aircraft, with everything from vintage classics to the latest in private jet technology. It’s a fantastic opportunity to get up close with aircraft that might not steal the show in the air, but sure know how to impress on the ground. If you’ve ever dreamed of flying your own plane or simply have a fascination with general aviation, this area will be a highlight of the airshow.
STEM Interactive Hub: The Future of Flight Starts Here
For those with a curious mind, the STEM Interactive Hub is the place where the future of aviation takes shape. This immersive, hands-on zone is perfect for families, students, and anyone interested in the science, technology, engineering, and math that goes into making flight possible. With interactive exhibits, workshops, and activities, you’ll get to learn all about the principles of flight, robotics, drone technology, and so much more. The STEM Hub is designed to inspire the next generation of aviators, engineers, and innovators, so it’s a fantastic spot for kids (and adults!) to explore the exciting world of aviation.
Avalon 2025 isn’t just about high-speed aircraft and breathtaking aerial stunts—it’s a full-on experience for the whole family! From fun-filled activities for the little ones to delicious food and drink options, there’s plenty to keep everyone entertained, no matter your age. Let’s take a look at some of the other fantastic features Avalon has to offer!
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Kids Zone
Got little ones in tow? Then you’ll definitely want to check out the Kids Zone at Avalon 2025! This dedicated area is all about giving kids a hands-on experience with the world of aviation. From interactive exhibits and flight simulators to arts and crafts, there’s something for every budding aviator to enjoy. The Kids Zone is designed to be a fun and educational space where kids can learn all about flight, aviation history, and the technology that powers the planes we see soaring through the sky. Plus, with tons of activities to keep them entertained, parents can kick back and enjoy the airshow while the kids are busy exploring, learning, and having fun.
Carnival Rides
Ride all weekend for FREE with a range of carnival rides included with your Avalon 2025 ticket. Also make sure to jump on the Avalon Eye Ferris Wheel and get a birds eye view of the airshow – the perfect place for a photo op.
Red Bull Ampol Racing
Ever wondered what it’s like to be part of a pit stop? Now’s your chance! Test your skills and try changing a tyre yourself at our interactive activation plus, enjoy live DJ beats and meet & greet opportunities.
Superman Land
Get ready for super-powered fun! Kids can enjoy Superman-themed crafts, from colouring sheets to cape decorating, plus take control of Sphero drone robots on a Metropolis-inspired course. Don’t miss the interactive Superman Cape photo op and the thrilling bouldering wall for an action-packed experience. Superman will be roaming around the site, so be sure to keep a lookout for the Man of Steel.
That Pilot Guy
Get ready for blast off with Cran Middlecoat – That Pilot Guy. A favourite in 2023, That Pilot Guy will help pull back the veil on the science behind flight – and then launch your own rocket towards the sky. Be inspired by the real-world applications of STEM, aviation and aerospace with a side of fun!
NeptuneVR Virtual Amusement Park
NeptuneVR is a mobile virtual amusement park. The trailer provides a wide range of VR experiences ranging from flight simulators to outer space exploration interactions. There is an activity that will suit every family member – how good!
The bay93.9 Stage
Don’t miss The bay93.9 Stage from Friday to Sunday featuring a dynamic line-up of live performances, special guests, and interactive shows. The bay93.9 Stage will bring non-stop action to the airshow site, creating a vibrant hub for attendees of all ages.
Eat and Drink: Fuel Up for All the Action
You’re going to need some fuel to keep up with all the excitement at Avalon, and luckily, there’s no shortage of delicious food and drink options! Whether you’re craving a hearty meal or just want a quick snack between shows, Avalon has got you covered. From classic Aussie fare like burgers and hot dogs to more gourmet options, you’ll find something to satisfy every craving. And it’s not just food—there are plenty of refreshing drinks to help you cool off, including coffee, ice creams, and even cold beers if you’re in the mood to relax.
Grab a bite to eat, kick back with a drink, and get ready to enjoy everything Avalon has to offer.
So, whether you’re a plane spotter, an adrenaline junkie, or just looking for a fun day out, Avalon’s the place to be in March 2025. See you there, get your tickets now, and prepare for the ride of a lifetime at Avalon 2025.
Plains and its older sister festival Meredith offers a slice of another world for a few days, removed from the hustle bustle & problems of modern life – something in that country air is so special. Filled with tents, camper vans, couches, costumes, doof sticks and a stellar lineup the Sup’ looked superb living up to ’The Ghost Blessing’ written for the inaugural Golden Plains in 2007 “a multi-dimensional musical portal where invention, inspiration and imagination converge… with you at its centre”.
Keep up with the latest music news, festivals, interviews and reviews here.
Held on the Nolan Family Farm on Wadawurrung Country, Plains XVII saw lines into the festival on Saturday morning crawl in at a snails pace, with the fest being toted at the ‘hottest ticket’ in Victoria over the labour day long weekend, leaving some wishing and posting in online forums looking for some kind of miracle ticket to come their way.
Saturday kicked off with the scorching sun belting down on punters, making it a challenge to set up camp. However, the afternoon kicked off with the Smoking Ceremony and Welcome to Country setting the scene for what was to come.
Early starter out of the gate was Mulga Bore Hard Rock a six-piece band hailing from Central Australia, the band consists of Brothers and Cousins and they dialled their amps past 11 for the lucky folks in the amphitheater. Followed by Naarm’s Wet Kiss their electrifying and primal set of arty punky goodness filling our hearts.
After a little trip to Sunset Strip in the afternoon, I found myself witnessing one of the most beautiful sunsets of my life (and I have photo evidence – shown above) as the sun went down on the was sent off with applause, the evening cool change soothed our wearying sun stricken bodies.The evening found Bonny Light Horseman as the golden sky faded to sweet folk sounds with heart-wrenching melodies of love and loss and blessing the mess that is life. As the night progressed the programming of the festival rivalled that of the world’s most prestigious Jazz/Funk festivals with the bop essence from the Sun Ra Arkestra and yes they tore the roof of the Sup’ (if it had one). Their horn section was to die for melting the minds of everyone from the couches to the camps I am sure. Also did I mention polyrhythms!!?? Absolute masters of their craft.
When Gamilaraay singer-songwriter Thelma Plum stepped on to the stage, it’s clear: the Queen of the Sup is here! Her 2024 album I’m Sorry, Now Say It Back comes alive in a whole new way during her live performance. Plum has the crowd completely captivated with Nobody’s Baby standing out as a highlight, though every moment of the set was simply incredible.
Saturday night provided the goods with a stunning show from the one and only Osees or The Oh Sees, The Ohsees, Thee Oh Sees or simply just Oh Sees Whatever John Dwyer wants it to be called, I don’t mind just as long as the rock never stops. Double drummers, face-melting million-dollar riffs, synth mayhem to the max and one of the tightest rock bands the world over – Osees demanded your attention from start to finish from psychedelic doom to straight up hardcore, John Dwyer made everyone in the Sup’ his for an hour.
Following Osees saw the first of the Irish exports Hip/Hop trio Kneecap. Their presence was explosive and defiant as they bounced between their native Gaeilge and English their music a means to preserve their Irish identity and keep the language alive. The trio demanded the stage lights be dimmed to the point where only their iconic balaclava projection is visible, with videos peaking through the eye holes behind them as they went all in. Their 45 minute set had all hooked as they egged on the crowd to open up the pit, rallying for Palestine and their legendary “Maggie’s in a box, in a box” chant.
Waking up on Sunday the sweltering heat had in-fact not died down. However, we were blessed with a bit more cloud cover. Australian homegrown talent were the highlights of my Sunday, one being the incomparable singer-songwriter Grace Cummings who was absolutely incredible on day two. Her voice! Need I say more? Multiple moments during the set gave me goosebumps with her alternative pop stylings. Another long-time favourite of mine; R.M.F.C. (AKA Rock Music Fan Club or otherwise known as Realise My Full Capacity) they’re an energetic dizzying jangle garage outfit, early in the morning no less. Nothing was stopping them, Buz and the gang were a force to be reckoned with!
Other highlights came from Hermanos Gutiérrez “Two brothers, one trip” as the guide book said and they did not disappoint! They sit somewhere between Western and Latin American, all it took to make even the seated groove was some guitar, lap steel and it was an instrumental delight.
The lovers, shakers and movers who dig sweet soul music were in luck as Durand Jones & The Indications took the stage. Tight rhythms, enchanting melodies and soul power that had the crowd captivated for the whole set. It even had people seated on their couches having a groove.
PJ Harvey’s set was preceded by a 15-minute silence, which naturally extended to 30 minutes as a light thunderstorm rolled in, accompanied by flashes of lightning and gentle rain as if PJ herself had a word with the weather goddess and organised it for her set. With the backdrop of the moody sky and the silence the Supernatural Theatre was ready. Harvey took to the stage, her presence as striking as the weather, standing still yet exuding a quiet yet undeniable authority. She showcased material from her 2023 LP I Inside the Old Year Dying an introspective work inspired by the woodlands and folklore of her hometown in Dorset. The new tracks, rich with atmospheric and poetic storytelling, seamlessly blended with classic hits, satisfying both long-time devotees and newcomers alike.
Now for the second Irish export of the weekend, when you asked anyone beforehand who they were keen to see, one name frequently came up: Fontaines D.C. from the Emerald Isle to our very own Golden Plains, the Irish post-punk band didn’t disappoint with people walking away with the word ‘biblical’ on their lips. Their performance was driven by their 2024 LP Romance, with lead vocalist Grian Chatten hunched over the microphone. As one of the world’s most prominent bands, their popularity continues to soar, with a sold-out show for 45,000 fans in London later this year. Catching them in such an intimate venue felt like one of the closest experiences you’ll have before they continue to rise to even greater heights.
That’s it folks, a wonderful time was had by all I’m sure. To put it plainly It felt like a meeting and melding of all that I love about going to see live music, it felt like it was a place for everyone young and old, raver and rocker, old and new. I never wanted it to end but as we know all good things…
Oh shout out to my favourite ‘Doof Stick’ it was a very intricate oldschool telly with the rage logo and a see-through screen, extra points for falling in-line with aunty’s rules of no bigger than a head of cauliflower.
until Plains XVIII….
Over 12 nights, the city will transform into a pulsating playground featuring 65 events, 327 artists, 15 new commissions, nine world premieres and a dazzling array of Australian exclusives. RISING will spill into Melbourne’s laneways, arcades, underground basements and grand theatres from Wednesday 4 to Sunday 15 June.
Keep up with the latest music news, festivals, interviews and reviews here.
“RISING is about breaking conventions – bringing wild, intimate, and unexpected creativity into the heart of Melbourne,” said RISING Co-Artistic Directors Hannah Fox and Gideon Obarzanek. “We are a festival of art music and performance that is proudly challenging and uncompromisingly inclusive. This year, audiences are invited to navigate a storm of lasers in the prismatic fantasy of the Capitol Theatre, swim through a composition of tactile sound in the City Baths, join in an audio-visual experiment deep under the ground of our town square or compete in the defiant act of doing nothing.”
Minister for Creative Industries Colin Brooks says, “This winter RISING festival is set to dazzle and surprise us, transforming Melbourne’s iconic spaces with creativity – from a mini-golf inspired exhibition in the Flinders Street Station Ballroom to laser beams in the Capitol Theatre and a massive participatory music event at Melbourne Town Hall that will get the city singing and dancing. There’s also a huge offering of music, theatre, dance, showcasing our incredible local talent alongside a big line-up of international acts. There are plenty of ways to get involved and plenty of reasons to visit Melbourne this winter.”
The Capitol Theatre becomes ground zero for RISING’s largest installation to date with Japanese artist Shohei Fujimoto’s Australian debut, Intangible #form. The former TeamLAB collective member will transform the historic venue into a living sculpture of kinetic light, with precision-mapped red beams responding to movement and perception. Free to explore every night of the festival, visitors can step into darkness, lose themselves in light, and emerge directly into the energy of Night Trade.
QV Square hosts a unique challenge on the King’s Birthday holiday: the internationally acclaimed Space Out Competition by South Korean artist Woopsyang. Created in 2014 during the artist’s battle with ad agency burnout, this competition has since gone viral, bringing the art of stillness to the forefront of global work culture critiques. The rules are simple: sit for 90 minutes and maintain a state of calm – no sleeping, no laughing, no tech distractions. It’s a test of focus and control as participants aim to achieve the purest form of stillness, making it the perfect antidote to the constant pressures of modern life.
For the second time running, RISING’s festival-within-a-festival – Day Tripper – returns over the King’s Birthday weekend. One ticket grants access to multiple venues and eight hours of music performance and art spanning across Melbourne Town Hall, Max Watt’s and Night Trade.
As part of the sprawling Daytripper lineup, Brooklyn shoegazers DIIV will unleash their signature blend of feedback-drenched melodies while Mississippi’s Annie and the Caldwells inject disco-tinged gospel into the mix. Atlanta’s Bktherula warps reality with her jagged, psychedelic flow, and Arnhem Land’s Ripple Effect serves up saltwater rock with all-women firepower.
Electronic music pioneers Mount Kimbie will be on the decks for deep, atmospheric beats, while Paul St Hilaire resurrects his Tikiman-era digital dancehall experiments. Expect the raw fury of Bad Vacation’s New York hardcore, and Sydney’s Antenna, whose garage-punk is lifted by the soulful rasp of Royal Headache’s Shogun. Keep your eyes peeled for a dance performance from The Butterfly who Flew into the Rave, these rascals have a habit of storming in and pounding the floorboards into submission.
Just across the road at Max Watt’s, Chapter Music is throwing its ‘End of an Era’ party in honour of its 33rd anniversary, one last night of indie spirit from one of Australia’s most revered independent labels. The lineup is pure Chapter: eclectic, fearless, and brimming with underground charm.
Expect sets from Npcede, Ryan Davis, LUGs, Tenniscoats, Andras & Oscar, Sidney Phillips, and Gregor, with a special farewell performance from co-label head and local music icon Guy Blackman. It’s the end of an era, but there’s no room for mourning – only celebration.
Federation Square ignites with BLOCKBUSTER, a massive free, day-to-night celebration of South Asian culture presented in partnership with and co-commissioned by Fed Square and SalamFest. Expect a stunning art truck bursting with colour and creativity, kaleidoscopic art, mouthwatering street food and hands-on experiences.
As night falls, the party continues with Pakistani R&B, high-octane Punjabi rap, hypnotic Sufi melodies, and deep 808 bass straight from Lahore.
The Flinders Street Station Ballroom transforms into Swingers: The Art of Mini Golf, a smashable, playable art exhibition featuring nine mini golf holes created by female artists. The lineup includes acclaimed filmmaker, writer, and artist Miranda July (USA), Kaylene Whiskey (AU) with a vibrant fusion of pop culture and Anangu traditions, and Tokyo’s Saeborg (JAP) unleashing a world of latex creatures with cartoonish menace.
Newly announced artists include experimental Australian duo Soda Jerk and prolific Hobart-based photographer and artist Pat Brassington. Expect more twists around every nook, cranny and bend.
Night Trade returns, pulsing through the Capitol Arcade and spilling its neon-lit energy down Howey Place and beyond. From killer cocktails at microbars and feasts at local eateries to microphone-fueled karaoke sessions with Mummy’s Plastic, this is the late-night hub of RISING.
Party starters from Lake Victoria’s Nyege Nyege festival will be in charge of the aux chord, bringing the vanguard of African electronic music. This is just the beginning with more surprises to be revealed in the lead up to the festival. Whether you’re dropping in or riding the full wave of Night Trade’s chaos, the alleys are open for play.
After a successful debut in last year’s festival, participatory music event Communitas by Melbourne’s electronic duo Shouse returns to RISING, now with expanded space at Melbourne Town Hall for dancing and communal music-making.
Beneath Fed Square, Diagrammatica by Jason Maling transforms the void into a space where time and sound bend, and systems of meaning shift and evolve. Inspired by the visual language of physics diagrams, astral photography, and graphic musical scores, this ever-evolving improvisation blurs the line between logic and abstraction.
Created in collaboration with sound artists Madeleine Flynn and Tim Humphrey and filmmaker Rhian Hinkley, small groups can craft living diagrams while onlookers watch a livestream for free in Fed Square’s Atrium.
The City Baths transform into a resonant chamber in Saturate, where sound artist Sara Retallick merges sound and water in a ritual of deep listening. Following the solo experiences of Flow State at RISING 2021, Rettallick returns to share the communal auditory soak experience in the CBD’s most historic public bathhouse.
Visitors arrive at night, don swimmers, and get submerged, surrendering to an immersive auditory experience only accessible underwater. Specialised loudspeakers transmit a generative composition that shifts through multi-zoned frequencies, inviting bathers to swim through layers of sound.
The Melbourne Art Trams project returns, this time with a poignant and culturally rich tribute to First Peoples women. Curated by a selection of Victorian First Peoples curators, the 2025 edition showcases artworks drawn from archives and community art centres across Melbourne and regional Victoria. These vibrant pieces, spanning over a century, will be emblazoned on six trams journeying through the city, creating a moving canvas of history and heritage.
Moorina Bonini’s new public artwork Matha will be splashed across the facade of Hamer Hall, expressing cultural regeneration and drawing from the deep, ancestral connection to Yorta Yorta lands and the Dhungala (Murray) River. This work shares how knowledge is held within Country and embodied through cultural practices passed down, renewed, and regenerated over time.
Visions of trees, waterways and the creation of cultural belongings are intertwined with song by Moorina’s family, focusing on new ways of making ceremony and helping language thrive in the present.
Stretching RISING’s festival footprint further than ever before, the TarraWarra Museum of Art in the Yarra Valley hosts its Biennial, titled We Are Eagles. Curated by Yorta Yorta woman and RISING Senior Curator Kimberley Moulton, the name is inspired by the First Peoples political event in 1938 called The Day Of Mourning and a speech Pastor Sir Doug Nicholls gave where he called for equal rights and an end to colonial oppression, stating, “we do not want chickenfeed … we are not chickens; we are eagles.”
His sentiments echo through the exhibition with works by 23 artists, each centring on regenerative practice and relational transcultural connections to land, object and memory.
In an Australian exclusive, British cool girl Suki Waterhouse jets to RISING for her debut Australian performances, playing two very special shows in Melbourne. After runway shows, hits and heartbreaks, she’s leaning harder into the ephemeral punch of her music. Over two nights, she’ll light the mirror balls and showcase her new album Memoirs of a Sparklemuffin with her full band, starting with an intimate performance at the Athenaeum followed by an extravaganza at PICA, RISING’s new music hub, the next night.
For one night only, the queen of yearning, Beth Gibbons (Portishead), graces RISING with LIVES OUTGROWN, her hauntingly beautiful, long-awaited solo debut. In the grandeur of Hamer Hall, her voice will unfurl like smoke, weaving a journey through darkness and dappled light.
Gibbons doesn’t rush – it’s been over 20 years since she last released anything close to a solo album, her Rustin Man collaboration with Talk Talk’s Paul Webb. Since then, she’s lent her unmistakable, aching voice to just two tracks: one with Kendrick Lamar, one with MF Doom. For the past decade, she’s been meticulously crafting LIVES OUTGROWN, a stunning, spellbinding work of sonic alchemy.
Japanese Breakfast makes their long-awaited return to our shores, infusing their starry-eyed sound with a gothic edge. Between adapting her best-selling memoir, Crying in H Mart, for the screen and travelling to South Korea to write, Michelle Zauner found time to craft For Melancholy Brunettes (& Sad Women) – her fourth full-length as Japanese Breakfast due to be released on 21 March.
Now, she’s set to bring her cinematic indie sound to the grand stage at PICA, marking her first Naarm show in eight years.
Brooklyn’s indie-rap icons Black Star make their long-awaited debut in Naarm/Melbourne. After Yasiin Bey (FKA Mos Def) delivered a spellbinding performance of The Ecstatic at RISING last year, he’s back – and this time, he’s bringing Talib Kweli with him.
The visionary duo that redefined conscious rap in 1998 will take the stage together at PICA for one night only, delivering razor-sharp lyricism, soulful beats, and an unshakable revolutionary spirit. From their roots in New York’s open-mic poetry nights to their seismic impact on hip-hop, Black Star has always been more than music, it’s a movement.
From Aotearoa, the golden-voiced Marlon Williams debuts his sublime Māori-language album live at RISING for two nights at Melbourne Town Hall, with The Yarra Benders and Kapa Haka group. The Māori proverb “he waka eke noa” reminds us that we’re all in this boat together, but for Williams, that boat once felt adrift, leaving him to navigate solitude and self-reflection.
This reckoning with proverbial wisdom inspired Aua Atu Rā, the lilting, evocative newly released single from Te Whare Tīwekaweka, an album five years in the making, set to be released in April. With the guidance of fellow Māori artist and Lyttelton local KOMMI, and the ethereal harmonies of the He Waka Kōtuia singers, Williams found a new course. The result is a breathtaking fusion of country, bluegrass, and pop woven with traditional Māori rhythms.
UK duo Mount Kimbie, Dominic Maker and Kai Campos, return to Australia for the first time in eleven years, taking the Forum Melbourne stage following the release of their latest record, The Sunset Violent. Emerging from the late-2000s dubstep scene with breakthrough tracks like William, crafted from field recordings, they quickly set themselves apart by blending raw textures with melody.
Over the years, they’ve mastered balancing hooks with abstraction across ambient and garage, as well as collaborations with Travis Scott and James Blake. With The Sunset Violent, they revisit post-punk electronica, dusting off their guitars to deliver a restless, razor-sharp sound that dares listeners to lean in.
In 2025 RISING will revive the legendary Little Bands scene, reigniting the raw energy of late ’70s and early ’80s Melbourne when North Fitzroy pulsed with fearless synth-punk experimentation by groups like Primitive Calculators and Whirlywirld. Spontaneous 15-minute projects blurred the line between audience and performer, paving the way for giants such as Hunters and Collectors, Dead Can Dance, and Boom Crash Opera.
Now, local tastemakers including Chapter Music, Liquid Architecture, and Cease + Desist curate a multi-generational lineup spanning punk, indie, electronic, experimental, ambient, noise, and jazz across three iconic Melbourne venues, inviting you to witness history repeat itself unpredictably.
California’s Jessica Pratt will cast a spell over the acoustically honed confines of Melbourne Recital Centre for two intimate shows, drawing audiences into the ethereal depths of her folk sound. Performing selections from her new album Here in the Pitch, Pratt expands her sonic palette with lush instrumental textures – timpani, glockenspiel, and baritone saxophone weaving seamlessly through her impressionistic lyrics.
On your next stop after Daytripper, Kaytetye producer and DJ RONA takes you into moonlight with an epic late night takeover of Melbourne Town Hall. Set to be RONA’s next major gig after touring Australia and New Zealand with Laneaway, her productions fuse the rich soundscapes of Country with lush, driving synths, grounding homegrown rhythms in global dancefloor traditions.
She’ll be joined by Gunai/Kurnai and Yorta Yorta artist DJ PGZ, who’ll be filling the hall with techno and global club styles honouring the Black and Brown pioneers of club music.
South East London’s Pete & Bas, the unstoppable grime duo, are bringing their electrifying energy to Max Watt’s stage. British rappers and Tiktok icons Peter Bowditch and Basil Bellgrave, both in their 70s, debuted in January 2018 with the critically acclaimed track Shut Ya Mouth and haven’t looked back since.
Performing in Australia for the first time, Pete & Bas have earned respect from a who’s who of the British hip-hop scene. Co-signed by artists such as Jaykae, Mist, Dizzee Rascal, Giggs, Headie One, and Dave, this dynamic duo is redefining what it means to make music – showing that it’s never too late to break through.
Ned Collette, with his smouldering songwriting style reminiscent of Nick Drake and Leonard Cohen, teams up with Leah Senior and Michael Beach, three artists whose haunting, late-night melodies could melt through the thickest of walls. Together, they’ve dreamed up the New Rampant Optimism Roadshow, a raw, shoot-from-the-hip revue that brings unexpected levity to the often intense, dark world of folk.
Joined by Naarm legends like Mick Turner of Dirty Three on guitar and Chris Abrahams of The Necks on piano, plus a special appearance by US underground rock icon Thalia Zedek, this one-night-only event at the Athenaeum promises a rollicking, unrepeatable experience.
Soccer Mommy, Nashville’s lovelorn grunge-pop queen, is set to bring her captivating energy to the Forum stage. Sophie Allison, the voice behind Soccer Mommy, is a five-foot-four engine of emotion, poised to flood the venue with raw feeling beneath the night-blue ceiling.
Known for balancing plainspoken intensity with unforgettable hooks since her early home recordings, Allison’s latest album Evergreen dives deeper into acoustic intimacy and sweeping, pastoral soundscapes. Each track is richly melodic, yet always ready to deliver a sullen rock sucker-punch. Don’t miss this chance to experience Soccer Mommy’s unique blend of vulnerability and power.
Argentine choreographer Marina Otero smashes the boundaries between art and life in Kill Me, a raw performance that unravels the artist with fearless honesty and theatrical mayhem. Premiering in Melbourne at The Sumner, Melbourne Theatre Company, mental health, mortality, and artistic survival all collide in a spectacle that swings between grand dance sequences and moments of aching vulnerability.
Part of her ongoing Remember to Live series – a lifelong commitment to documenting her own existence through performance – Kill Me is both deeply personal and wildly unpredictable.
Shakespeare’s timeless tales get a playful, kitchen-table makeover in Complete Works: Tabletop Shakespeare, where six performers condense most of his plays using nothing but wit, imagination, and household objects. A vase becomes a prince, a jar transforms into Juliet, and a bottle of Dettol stands in for the nurse.
Covering 36 of Shakespeare’s works over nine days and nights of the festival, a new story unfolds, proving that the heart of Shakespeare’s work isn’t in grand sets or elaborate costumes but in the sheer power of storytelling. Created by the acclaimed experimental theatre company Forced Entertainment and presented at the University of Melbourne Arts and Culture’s Guild Theatre, this inventive retelling strips Shakespeare down as you’ve never seen it before.
Check into Heartbreak Hotel, a hilariously offbeat exploration of heartbreak by acclaimed Aotearoa New Zealand company EBKM. Dressed in lavender tassels and backed by the ultimate breakup soundtrack, think Elvis, Celine, and the greats, Karin McCracken guides us through the messy, absurd, and all-too-relatable aftermath of a serious split.
Alongside the virtuosic Simon Leary, who morphs into every ex, Karin dives into famous novels, scientific studies, Berlin nightclubs, and even the depths of her own cells in an attempt to clinically dissect heartache. From the award-winning creative duo Eleanor Bishop and McCracken, this Edinburgh Fringe hit premiering at Arts Centre Melbourne is a love letter to the lovesick and a balm for the bruised.
Direct from the West End – BLKDOG – London-born Botis Seva’s Olivier Award-winning hip hop masterpiece arrives in Melbourne for the first time at Arts Centre Melbourne, ready to take audiences on a wild and transformative ride. With a pounding score by longtime collaborator Torben Lars, a squadron of seven dancers, cloaked in hooded caps, immerse the audience in a hallucinatory journey marked by violence and an unsettling, dead-eyed fascination.
In another Shakespearean remake, catch the dazzling reimagining of Hamlet, as a neurodiverse cast brings fresh energy to Shakespeare’s iconic tragedy, turning “to be or not to be?” into a life-affirming question. Featuring eight performers with Down Syndrome, this vibrant adaptation from Peruvian theatre company Teatro La Plaza joyously deconstructs the prince’s existential struggle.
Presented at the University of Melbourne’s Union Theatre, see the performers bring their own frustrations, desires, and perspectives to the stage, delivering Hamlet’s iconic soliloquy all at once in a rap, adding a contemporary twist to the age-old words. Melding live performance with film, Hamlet turns the question of madness back on itself, inviting the audience to reflect on how society defines normality.
Moving across town to a new RISING venue Buxton Contemporary, get ready to lose yourself in the pleasure and pain of a 3-day rave, condensed into one electrifying hour. The Butterfly Who Flew into the Rave is a dance work created by New Zealand-Aotearoa’s club legends Oli Mathiesen, Lucy Lynch, and Sharvon Mortimer taking you deep into the underground, as the trio brings club styles to life in a relentless, candy-fueled spectacle.
As the bass drops and the lights flicker, you’ll be transported into an LED-lit world where dance and euphoria blur together in one transcendent experience. This isn’t just a dance performance; it’s a high-energy celebration of music, movement, and the transcendent power of collective joy.
The cult-favourite rock musical, known for its boundary-pushing storytelling and glam-punk attitude, Hedwig and The Angry Inch, will make its return in a bold new Australian production at RISING, bringing the raw, glitter-soaked energy of the original to The Athenaeum Theatre.
Filipino-Australian singer Seann Miley Moore, discovered on The Voice, takes on the iconic role as a “slip of a girly boy” Berliner who goes to marry an American soldier but ends up abandoned in Kansas, on the cusp of another doomed romance. Torn between an idealistic vision of love and the urge to burn it all down. Hedwig is poised with a battered mic and a rhythm section full of Korean-born military wives, ready to test the limits of self-creation.
Also coming to Arts Centre Melbourne is the innovative live docu-drama POV involving fourteen unrehearsed actors and one camera-wielding kid. Created by artist Malcolm Whittaker and performance collective re:group performance collective, the story is centred around Bub, an 11-year-old girl obsessed with documentary filmmaking and on a mission to understand her fractured family.
Each night, two new unrehearsed actors play the parents, while Bub (played with precocious verve by Edith Whitehead or Mabelle Rose) directs the action. The script is playful, heartfelt and funny but the picture shifts with the whims of human impulse as actors respond live and unprepared.
For a dance work with a more intimate lean, head to Chunky Move for The Act by choreographer and dancer Amrita Hepi and sex worker and writer Tilly Lawless. The new work explores the intersections of dance and sex work, examining the body as a vessel for both professional service and personal expression, challenging conventional perceptions of labour, authenticity, and representation.
Framed by Daniel Janatch’s baroque sound design and directed by Mish Grigor, each performer speaks and moves within charged ambiguities – the body as a vehicle for desire and for expression.
Stephanie Lake Company’s The Chronicles is a sweeping meditation on time, change, and collective resilience, brought to life through a fusion of dance, choral music, and electrifying soundscapes. Premiering in Victoria for RISING at Arts Centre Melbourne, Lake’s new work comes home to Melbourne after receiving rave reviews during its Sydney Festival run in January.
With 12 dancers embodying the fluid passage of time, their movements are intertwined with the celestial voices of The Yarra Voices Children’s Choir and the resonant baritone of Oliver Mann. Long time collaborator Robin Fox’s electro-acoustic composition pulses beneath it all, propelling the work forward with both urgency and grace.
As the final installment in Lake’s triptych of large-scale works – following Colossus (MIAF, 2019) and Manifesto (RISING, 2022) – The Chronicles offers a deeply moving exploration of transformation, blending precision, power, and poetic beauty into an immersive, communal experience.
Pigeons is a thrilling, chaotic collision of music, technology, and performance, where percussionists face off against mechanical forces in an explosive battle of sound and survival at Melbourne Recital Centre. Created by the audacious Speak Percussion, three robotic trap machines take centre stage hurling hundreds of fluorescent clay targets at a wall of suspended, resonant percussive objects.
The musicians duck, flap, glide and slide among the projectiles, in a frantic search for safety while glorious music rings out. It’s percussionist vs pigeon, human vs machine in one of the festival’s most visually spectacular and sonically adventurous performances.
LEGENDS (of the Golden Arches) is a bold and witty two-hander that takes us on a bogus adventure through the Golden Arches and into Chinese hell. Co-created by emerging playwrights Joe Paradise Lui and Merlynn Tong, the Lawler Theatre will play host to this heart-filled buddy comedy that bends reality and serves extra pickles.
Visionary playwright S. Shakthidharan returns to RISING with another story of hope, betrayal, tradition and self-discovery. His Sri Lankan-Australian epic Counting and Cracking played to standing ovations at RISING 2024 and went on to triumphantly tour the UK and New York.
Now the playwright brings us The Wrong Gods to Fairfax Theatre at Arts Centre Melbourne, a gripping mother-daughter character study that delves into the complexities of tradition, progress, and self-discovery.
Across the city at Arts House in North Melbourne, acclaimed dancer Joel Bray premieres his latest major dance work Monolith. Muscular and sinewy, five fierce Brown women present themselves as an obstacle and as resistance – they are a monolith, an enormous ancient rock formation, coming together and apart.
Sitting strong in the landscape, defying waves of colonisation, urbanisation and deforestation. This is an undeniable new work from Wiradjuri artist Bray, who echoes and honours generations of protest and rebellion.
Mickey, the premiere work from Brooke Stamp, is a visceral plunge into the subconscious of a dancer, where movement becomes an unfiltered expression of raw impulse. In this ever-evolving performance, Stamp transforms her rehearsal space – Buxton Contemporary – into a living, breathing entity exposing the hidden rituals and fleeting moments that typically remain unseen.
Each show unfolds uniquely, shaped by the present moment, as the dancer navigates a fluid landscape of instinct, memory, and transformation.
Amplified: The Exquisite Rock and Rage of Chrissy Amphlett presented by UMAC is a high-voltage cabaret igniting the untamed legacy of the rebel queen of Australian rock. Led by the powerhouse performer Sheridan Harbridge (Prima Facie) and directed by the acclaimed Sarah Goodes (Julia), this electrifying production, taking place at University of Melbourne’s Union Theatre, plunges into the raw, unfiltered world of the Divinyls’ frontwoman.
This year, American Express will join RISING as the Music presale partner, and American Express Card Members will get exclusive first access to all music program tickets before the general public from Thursday 13 March, 9:30am to Saturday 15 March, 9:30am.
General public tickets go on sale Monday 17 March, 10am. Book tickets to three or more eligible events in one transaction via the RISING website and automatically get 15% off the standard ticket price with the Multi Pass.
RISING subscriber presale begins Friday 14 March, 10am. Subscribe for presale access here. For more information, head here.
Beat is an official media partner of RISING.