Bendigo Engine Room tackles being alone with new theatre work
Bendigo Engine Room will spotlight the deep-rooted, community-shared, profound experience of disconnection this month through a new theatre presentation, a/lone.
Developed and devised by the Project Connect Ensemble, and written and directed by acclaimed Janine McKenzie, a/lone is a powerful, dynamic original production that explores the human condition with a unique blend of humour and pathos.
Show details
- Dates: 1.30pm and 7.30pm, Thursday 18 April 2024 | 11am, Friday 19 April 2024
- Where: Bendigo Engine Room, 3550/58 View Street, Bendigo 3550
- Tickets: Adult: $28.00, Concession $26.00
With shows across Thursday 18 April and Friday 19 April, a/lone combines physical, absurd and verbatim theatre techniques, featuring performances by Xavier McGettigan, Stacey Carmichael, and Emily Jacker-Lawrence. Designed by the talented Alard Pett and set to a poignant live original score from Sheshtin Honey, a/lone is promises an unforgettable experience of insight and connection.
A project developed through Geelong Art Centre‘s Creative Engine program where producer and performance Stacey Carmichael received two Ignition Grants, a/lone first saw its live premiere to sold-out audiences in the revitalised arts venue last year, earning it a showing at 2023 Edinburgh Fringe Festival to high praise.
Stay up to date with what’s happening within the region’s art scene here.
The timeless exploration of the aloneness, loneliness and disconnect resonated with audiences in this turbulent time, where 1 in 3 Australians feel lonely, 1 in 6 reporting severe levels of loneliness and 1 in 2 Australian surround the notion with embarrassment. a/lone aims to reshape the dialogue and eradicate the stigma.
Janine McKenzie says of the production, “Audiences will see themselves and people they love in the stories we tell. This performance resonates deeply and continues to stay with you long after you leave the theatre”.
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a/lone is part of the VCAA VCE Drama Playlist and will tour Victoria until June 2024. Having already performed at Geelong Clonard Collage, the production makes its way to Bendigo Engine Room, back to Geelong for a stint at Drysdale’s Potato Shed, and finishing at the iconic La Mama Theatre, Melbourne.
Tickets to the upcoming Bendigo Engine Show can be found here. All other information regarding a/lone and other ticketing options can be found here.
Rock Off MND Fundraising Gala to hit GMHBA Stadium
Returning for a third year is the annual Rock Off MND Gala Dinner.
Taking place at the President’s Room overlooking the newly refurbished GMHBA Stadium, Rock Off MND Gala Dinner will four hours of drinks, three-courses of fine dining and plenty of entertainment including raffles and auctions for only $180 per head.
Rock Off MND Fundraising Gala
- Saturday 11 May 2024 | 6.30PM
- President’s Room, GMHBA Stadium
- $180 per head includes a three-course dinner and four hours of complimentary beer, wine and bubbles.
Helping raise vital awareness and research funds for Motor Neurone Disease, Rock Off MND is a cause dear to the Geelong region, spawning from an annual music festival held at Geelong’s house of rock ‘n’ roll, The Barwon Club Hotel.
Keep up with the latest music news, festivals, interviews and reviews here.
Rock Off MND was inspired by Jenny Simko after she was diagnosed with MND in August 2014. Jen was pivotal in leading the charge to finding a cure for the disease through live music events. Whilst Jen sadly passed away in November 2015 she was able to attend the first event to see her vision and legacy come to fruition.
The Gala Dinner on Saturday 11 May is a much classier affair than the BC days, but in true Rock Off MND fashion, the event would not be complete without the appearance of live music.
Two acts will grace the stage across the night; Mr Meaner, and Lisa Hanley.
Mr Meaner are bound by the music with the group of talented musicians coming together to play for the love of music and the live show. Their infectious party rock, dance and classic song repertoire is set to have the crowd going.
Lisa Hanley is an acoustic artists best known for serenading newly weds across the region. Her larger-than-life vocals are sure to echo across the stadium.
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Tickets to attend Rock Off MND Gala Dinner can be made here. If you cannot attend but would like to donate, click here
Capturing the Chris Isaak story
As the zoom window opens, Isaak appears on screen, his branded guitar pressed to his chest. Attentive, he takes immediate notice of my name.
“Tell me, has everybody been singing ‘Tammy’ to you your whole life?”
He takes vocal flight, “The ole hooty-owl hooty-hoo’s to the dove, Tammy, Tammy, Tammy’s in love.” His fingers dance silently, unconsciously across the guitar fretboard; an extension of his body.
The answer is yes. That namesake song from the 1960’s Sandra Dee and Debbie Reynolds starring movie series, Tammy and the Doctor, Tammy and the Bachelor, and so on, shadowed me my entire life, embarrassment overpowering the association, but the song echoing from Isaak’s lips evoked a sense of pride, and a hint of flush.
Keep up with the latest music news, festivals, interviews and reviews here.
“I met Debbie Reynolds. I saw her on a talk show in the United States and I passed her in the hallway and I said “Excuse me, Miss Reynolds, you did a really wonderful job on Tammy”. I said, “I thought your vocal on that was really beautiful”, and she looked at me like I was just another generic rock idiot and all of a sudden I looked not as dumb as I had before,” he recalls, his storytelling captivating.
It’s this effortless charm, this ability to immediately draw you in and drink every word that drips from his California-accented tongue, that has continued to capture the heart of audiences across the world. At 67 years old with 45 years of career flex behind him, Isaak has a lot of stories to tell.
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From his talk show host days to his stadium showstoppers, his acting cameos, and of course his time as a judge of Australia’s Got Talent, Isaak comes with a books of tales from his adventures. We venture beyond his fame for his second story, back to the hay-day.
“I used to work on farms throwing hay and I did that a lot. I was still throwing hay even after I was signed on my record deal and farmers would call me because I was a damn good worker. I was pretty strong with a strong back and, like a mule, I would work hard. A farmer hired me to clean out a field of weeds where he couldn’t get his tractor in and he wanted me to hoe it. He hired me and my buddy and he figured it would be a week’s work. I told my buddy, “Let’s not be here for a week. This is miserable. Let’s get it done TODAY!” and we did,” he laughs.
The tales roll on through his colourful career that has taken him into all corners of the world. Down Under, a land where Isaak has played over a whooping 120 shows, lived for a stint during his judging era and made a cultural mark playing the AFL Grand Final of 2015, Isaak speaks of his interesting encounters.
“When I was in Australia we did the Footy Show and it was these athletes talking about a game from four years ago or whenever and they would go, [mocks an Australian accent], “he pulled his hammy and had to go see the physie” and I’m like “Hammy?”, “Physie?”. You shorten everything!”
That’s just a snippet of his time spent with different species in Australia. Stacking up against the six-foot six-packed athletes is nothing compared to his dealings with other creatures.
“Australia does have something though – they have bugs that I go “Oh My God”. There was a spider in Australia that I saw – we have tarantulas in California but there was one in Australia at this party and I said “Oh my god, there’s a huge tarantula in the room” and [the homeowner] put a wine glass over it and tried to pick it up with a piece of paper and take it outside instead of kill it. When she put the wine glass over it, it was so big it kept kicking the wine glass over. That’s big – that’s a big spider,” he laughs.
Alas, it does not deter him from jetting across the Pacific again. He is brimming with excitement speaking of his upcoming tour and stop into A Day On The Green for his In Concert series, beginning tonight in Perth.
“I love being in Australia – people always ask me where is your favourite place to play? Well any time the audience is smiling or in a good mood; you can be playing in a gravel pit but if the audience is good, it’s going to be a fun day. But I have to say my favourite place is Australia,” he continues.
“Imagine California in the 60’s, and that’s a good thing to imagine because when I grew up California was not many people, everybody was laidback, plentiful food, great sunshine and cool beaches, and that’s what Australia is to me. It’s mecca.”
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After 120 shows, Isaak still keeps the live setting interesting for his fans. If you’ve seen Isaak once, you have to see him again because you never know what will turn up in his setlist.
“The show changes a little bit every time and it also changes [depending] on what people want to do that day. If the audience is listening to more ballads, I’ll play more ballads. If they want to listen to rock ‘n’ roll, I’ll play rock ‘n’ roll. I expect a good time. We’ve never had a bad time in Australia,” he admits.
“Hopefully when we come back the people won’t remember all of the jokes.”
The streak will keep going this Saturday night down at Mt Duneed Estate where Isaak returns to a field, only this time there will be no hay hauling.
Tickets to see the legend along with Boy & Bear, Linda and Vika, Ella Hooper and The Mojo Corner are still on sale via the A Day On The Green website
Khruangbin weaves subtlety into psychedelia with grace on ‘A LA SALA’
In the realm of instrumental neo-psych, Khruangbin undeniably reign as leaders. Their first two releases, The Universe Smiles Upon You and Con Todo El Mundo, stood as giants within the modern psych scene, establishing the Texan-based trio’s meticulous craftsmanship and predominantly instrumental, Latin-inspired melodies as outliers among their peers.
However, subsequent releases such as Mordechai and Ali fell somewhat short, with the group trading their fluid, jam-like nature for a more minimalist approach that lacked the genre-bending magic of earlier work like ‘Lady and Man’ and ‘People Everywhere’.
Keep up with the latest music news, festivals, interviews and reviews here.
A LA SALA, a follow-up that’s released under immense expectation. While it does undoubtedly showcase the tight interplay and alluring marriage of virtuosity and psych-pop that the group have become renowned for, it once again lacks the distinct fluidity, genre progression, and unpredictability that characterised their earlier material.
Technically, Khruangbin will never disappoint. Their unmatched musical prowess is hard to criticise, and listeners will undoubtedly still find solace in the group’s signature, easy-listening, wistful ambience in tracks like ‘Ada Jean,’ ‘Pon Pón,’ and ‘Hold Me Up (Thank You).’
But for the most part, A LA SALA tends to lean too heavily into its subtleties, leaving many songs feeling somewhat lacklustre, rudimentary and aimless compared to the group’s previous work.
As a whole, A LA SALA might be better described as a cinematic score rather than the eagerly awaited sequel longed for by fans.
Khruangbin are releasing their eagerly anticipated album A LA SALA on Friday 5 April via Dead Oceans.
Andrea Robertson’s Ode to the ‘Seasons’
This ambitious project, spanning four EPs coinciding with autumn, winter, spring, and summer, has now culminated in an album that marks a significant milestone in Robertson’s catalogue.
Keep up with the latest music news, festivals, interviews and reviews here.
The journey begins with ‘Seasons Volume 1’, where Robertson sets the tone with three exquisite tracks coated in a golden warmth and promising to light a bright fire within. ‘All That Glitters’ features gentle acoustics and eloquent vocals that weave a tale of introspection and renewal, while ‘More Than Ever’ and the tender ‘Seasons’ delve deeper into Robertson’s soul-stirring lyricism, capturing the essence of autumn’s fleeting beauty with each note.
As the seasons progress, so does Robertson’s sonic narrative. ‘Seasons Volume 2’ embraces the cool tranquillity of winter with melancholic tracks like ‘If You Don’t Say You Love Me’, ‘Communicate’ and ‘Nobody Knows’. Here, Robertson’s emotive vocals intertwine with irresistible bluesy acoustic guitar, hypnotic percussion and warm brass, creating a sense of intimacy and vulnerability.
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With the arrival of spring comes ‘Seasons Volume 3’, where Robertson’s music blossoms with newfound energy and optimism. From the poignant reflections of ‘Blue Morning Light’, the soulful groove of ‘Better Days’ and the electrifying rock number ‘The Right Side Of Bed’, each track is a testament to Robertson’s versatility as both a musician and a storyteller.
Finally, ‘Seasons Volume 4’ brings the series to a summery crescendo with three new tracks that capture the essence of the season. Robertson invites listeners to embrace the joy of living in the moment with the laid-back vibes of ‘You Ain’t No Good’ to the utterly infectious rhythm of ‘Get You Moving’ featuring Benjamin IQ Sanders, and the bluesy-soft rock spell of ‘Wasting Time’.
Robertson’s magnum opus, the 12-track album is a celebration of resilience, creativity, and the enduring power of music. From the laid-back vibes of summer to the raw emotion of autumn, Robertson’s artistry shines brightly on Seasons: The Complete Series, weaving together elements of blues, folk, rock, and alt-country to create a musical mosaic that is as captivating as it is diverse.
Andrea Robertson Seasons: The Complete Series is out now. Find out more about Andrea Robertson here
Ella Hooper: A Small Town Heroine Taking Centre Stage at A Day on the Green
As platinum-selling sensation Chris Isaak headlines A Day on the Green, another luminary prepares to grace the stage: the inimitable Ella Hooper.
Renowned for her indelible mark on the Australian music scene, Hooper’s upcoming performance promises to be a poignant intersection of past triumphs and future aspirations. With the weight of anticipation hanging in the air, Hooper reflects on the magnitude of the moment. “I’m good!” she exclaims, her voice betraying a hint of exhaustion tempered by excitement. “It’s been a big start to the year so it’s all good, but I’m just going fast, fast, fast.”
Keep up with the latest music news, festivals, interviews and reviews here.
As she prepares to share the stage with Chris Isaak, Hooper’s admiration for the legendary crooner is palpable. “I remember seeing… a film clip when I was a little kid of Chris Isaak, it was probably ‘Wicked Game’ where he walking along the beach with Helena Christensen,” she reminisces. “And I thought, ‘wow, that’s the coolest. That’s the coolest guy singing the coolest song so I can’t quite believe it.”
For Hooper, the allure of events like A Day on the Green lies in their ability to transport audiences to a realm of serenity and splendour. “I’m a huge fan of A Day on the Green,” she enthuses. “My dream gig always involves a really nice environment… sipping a nice wine and listening to iconic, incredible, classic music, so this is actually my dream gig.”
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“I’ve got good memories from A Day on the Green actually,” Hooper says, “many, many years ago, when we supported Fleetwood Mac, and it was just incredible. It was one of the best gigs of my life because of all those things: the incredible music and the rolling hills and people just enjoying themselves. When you’re too old for the mosh pit you want to enjoy the enjoy the view,” she laughs.
Yet amidst the grandeur of outdoor venues, Hooper remains grounded, attuned to the nuances of her craft. “We think about what songs work best in that format and what songs people going to want to hear before they hear a lot of other incredible music,” she explains. “Sometimes you take out the long and winding indulgent tracks that which are better for your club shows where people are coming just to see you. When you’re the support act… it’s good to keep it a bit more, like just getting ready music, almost like you’re getting the crowd ready.”
With her upcoming performance, where she’ll perform with just two others on stage, Hooper plans to introduce new elements to her set, including the addition of a violin. “It’s going to be a really, really fun touch to our set,” she shares. “So there’ll be some fiddles and keys, electric guitar and maybe some mandolin… it’s a bit of a folk rock sort of mix.”
Hooper’s presence adds an extra layer of excitement to the already star-studded lineup, with her journey in the music industry being nothing short of extraordinary. Bursting onto the scene as a teenager, Hooper quickly made her mark with Killing Heidi, scoring a number one single on her 17th birthday and becoming the first woman to be awarded APRA’s Songwriter of the Year at just 18. Her debut album, Reflector, soared to the top of the charts, winning four ARIA Awards and achieving platinum status multiple times over.
But Hooper’s story doesn’t stop there. After three successful albums with Killing Heidi, she embarked on a solo career, showcasing her deeply personal songwriting with her latest album, Small Town Temple.
Written in her hometown of Violet Town, the album continues to resonate deeply with listeners, much to Hooper’s amazement and gratitude. “To have something so personal connect on such a broad scale is beyond words,” she says, acknowledging the paradoxical universality of personal narratives. The album, lauded for its intimate storytelling and acoustic warmth, marks a significant departure from her previous work, delving into themes of family, community, and self-discovery.
Songs like the title track, ‘Long Gully Road’, and ‘Grow Wild’ stand out as personal anthems, each encapsulating different facets of Hooper’s experiences and relationships. These tracks not only underscore the album’s emotional landscape but also signal a new chapter in her solo career, characterised by a more organic, acoustic-driven sound. “It’s been about moving into more traditional instrumentation and even more sort of sonically old fashioned,” Hooper explains, “I’m going to try and keep going in that direction and I’m hoping to get horns and strings and things like that in there as well.”
Alongside the release 2023 marked a pivotal year for Hooper, characterised by an intensive touring schedule that showcased her versatility as a performer. Whether commanding the stage solo or electrifying audiences with her band, her commitment to live performance has never been more palpable. “Releasing Small Town Temple last year was a catalyst,” Hooper reflects, “I wanted to tour it as much as I could, in ways I hadn’t before. It’s been incredible and so developmental already with these incredible support slots. So I feel like you know, all the seeds that I ran around planting like crazy are now starting to bloom. So I’m going to keep touring, but I have to find time to write to make another album as well.”
The allure of live performance, as Hooper describes, lies in its immediacy and the tangible connection with audiences. “It’s about the variety,” she says, “switching from the introspection of the studio to the expansiveness of the road.” This dynamism is not just a professional requirement but a personal craving, a cycle that oscillates between creation and sharing, solitude and exposure.
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As she contemplates the evolution of her solo career, Hooper acknowledges the challenges of carving out her own path. “Sometimes when you are an artist, and your sound and your very own voice is your product… you’re quite sensitive to the ups and downs of it,” she muses.
Yet amidst the highs and lows, Hooper finds solace and fulfillment in the art of storytelling through music. “My job as a songwriter is to keep an eye on the inner world and give it a voice,” she reflects. “But then as someone who wants to share it… what am I doing with it?”
As she looks ahead to her upcoming performances with Chris Isaak and James Taylor later this month, Hooper remains grounded, focused on the present moment and the opportunity to connect with audiences through her music. “Just make sure everyone comes down,” she laughs. “This is definitely not one not to miss.”
A Day On The Green with Chris Isaak and special guests Boy & Bear, Vika & Linda, Ella Hooper and The Mojo Corner heads to Mt Duneed Estate, Geelong on Saturday 6 April. Get your tickets here.
Discover Ocean Grove’s beachside gem Dawn Café – where good food meets coastal charm
With a love for the Bellarine, owners Sean Minter & Kirsten Baker stumbled upon this tired little gem while heading to the Collendina (Ocean Grove Hotel) one day.
It was love at first sight. Opposite the beach and heaps of parking, what more could you want? They discovered the business was for sale, snagged it, and in late 2022, they unlocked the doors after a stunning revamp, making it a little brighter and more welcoming just two days post-Christmas.
Keep up with the latest music news, festivals, interviews and reviews here.
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Since then, Dawn Cafe has become a hit with the Collendina community. People were craving something fresh and new, and Dawn delivered.
Here, the Dawn crew is all about giving you top-notch service with a smile. They want you to kick back, put your feet up, and let them handle your caffeine and baked goods cravings.
Now, let’s talk food. If you’re after the ultimate egg and bacon roll this side of the coast, Dawn’s got your back. And if that’s not your jam, no worries. They’ve got a lineup that’ll make your taste buds dance, from crunchy granola and French toast to sautéed greens and the crowd-pleaser, avo on toast.
Their menu boasts a market fruits platter, perfect for sharing, complete with seasonal fruits, berries, and their homemade granola on the side. Ideal for a post-beach swim snack.
For lunch, the fish tacos are a hit, as are the pork belly toastie with pineapple chilli jam and the roast pumpkin bowl – all seriously yum.
Fresh bread and pastries roll in daily from Noisette (psst, their cinnamon scrolls are divine). And for those with a sweet tooth, they’ve got cakes from Little Bertha that’ll hit the spot. Pair those treats with coffee from Melbourne’s own Code Black Coffee Roasters, and you’re in for a treat.
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Their shop front is a treasure trove, stocked with goodies from local and national suppliers, think soaps, sauces, chilli oils, candles, sardines, corn chips – you name it. There’s always something new on the retail tables, so it’s worth popping in regularly to see what’s up.
So, if you’re beach-bound and craving some good grub, head to Dawn Cafe. You won’t be disappointed.
Dawn Cafe is located at 131 Ocean Trwy, Ocean Grove and open 7 Days, 7 am – 3 pm.
Country superstar, Chris Stapleton, announces tour of Australia in New Zealand
Pour a Tennessee Whiskey, acclaimed country superstar Chris Stapleton is heading down under for the first time, today announcing the Chris Stapleton’s All-American Roadshow Goes Down Under tour.
The 10x Grammy, 15x CMA and 10x ACM Award-winner will hit down in Australia on Tuesday 25 February, starting his dates at Melbourne’s Rod Laver Arena, followed by Brisbane Entertainment Centre on 28 February and on to Qudos Bank Arena in Sydney on 4 March. He’ll be off to New Zealand soon after to play Auckland’s Spark Arena on Friday 7 March.
Chris Stapleton Tour Dates
- Rod Laver Arena, Melbourne | Tuesday 25 February
- Brisbane Entertainment Centre | Friday 28 February
- Qudos Bank Arena, Sydney | Tuesday 4 March
- Spark Arena, Auckland | Friday 7 March
Keep up with the latest music news, festivals, interviews and reviews here.
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One of the United States’ most respected and beloved musicians, Stapleton has had a huge start to the year. Stapleton recently won two awards at the 66th Annual GRAMMY Awards, Best Country Solo Performance and Best Country Song (both for his #1 song, ‘White Horse’). The awards kept rolling in as he was also named Entertainer of the Year at last year’s 58th ACM Awards, resulting in a prestigious ACM Triple Crown Award, and was named Male Vocalist of the Year for the seventh time at the 57th CMA Awards this past fall, breaking his own record for most wins ever in the category. Additionally, he performed the National Anthem at 2023’s Super Bowl LVII.
On this tour, Stapleton not only brings with him his latest offering, acclaimed fifth studio album Higher, but also another music legend, Grammy nominated blues rocker, Marcus King.
Vodafone customers can secure tickets during a pre-sale commencing Tuesday 9 April at 10am, concluding on Thursday 11 April at 10am. Head to Vodafone.com.au/ticket
Mastercard cardholders have special access to presale tickets in Australia starting from Tuesday 9 April, 10am until Thursday 11 April, 10am. Preferred ticket access is available to Mastercard cardholders in Australia on Friday 12 April, from 11am. Visit www.priceless.com/music to find out more.
A Live Nation pre-sale commences on Thursday 11 April at 11am, running until Friday 12 April at 10am. General public tickets will go on sale on Friday 12 April at 11am. For more information head to livenation.com.au.
Beans’ ‘Boots N Cats’ is a psychedelic journey through the heart of modern rock
This assertion might appear ambitious, given the fact that they are only three albums deep and less than a decade into their tenure. But on Boots N Cats, Beans have well and truly grown into their velvet flares, delivering an experimental album that feels like deep cuts straight out of the 60s and 70s psychedelic rock explosion.
An intricate, percussion-driven release that’s instrumental at heart, Boots N Cats sees Beans meld elements of psych rock, groove, blues and more. Honestly, if I had to list every style that the group dabbles with throughout this release, I’d be listing more genres than the CD section at JB Hi-Fi.
Keep up with the latest music news, festivals, interviews and reviews here.
The aptly titled opener ‘Groove’ toys with elements of neo-psych and kraut rock, while also maintaining motorik krautrock rhythms. ‘Kookaburra’ combines Deep Purple grandeur with early Status Quo-infused psychedelia, while ‘Calling’ maintains a sneaky swagger in its rhythms – evoking the imagery of a cat burglar in a 60s movie while listening to it.
Other moments see the group experiment with unrelenting drum fills (‘One To Four’, ‘Silhouette’), influences of Zamrock fusion (‘Siamese Blundstone’), and melancholic dissonance (‘Haunted’, ‘Dreaming Daisy’).
Boots N Cats really is, from beginning to end, a trip, and one that’ll continue to firmly distinguish Beans’ incomparable flavour amongst the modern psych-rock scene.
Boots N Cats is out now on Fuzz Club Records.
Dear Seattle
DEAR SEATTLE are taking to the motorways on a mammoth regional tour across Australia in 2024 off the back of their recent single ‘idc’. An instant modern-day grunge classic, Sydney indie mavericks DS return armed with the anthemic new single, out now via Domestic La La.
Packed with fuzzy guitars, nostalgic rock nods and catchy melodics for days, ‘idc’ follows on from the quartet’s recent upbeat outing ‘Nothing’s Stopping Me Now’ with lashings of heart and a criminally catchy chorus primed for group singalongs.
Produced by long-time Dear Seattle friend and producer Fletcher Matthews (Trophy Eyes, The Buoys, STUMPS), ‘idc’ cuts a sharply fun figure, with the latest track ultimately starting life as a joke, springing to life at the end of an extensive writing session.
“idc started out as a joke,” shares guitarist and vocalist Brae Fisher. “Our producer Fletcher and I had spent almost a month writing a song every day, and I think we both went a bit loopy and needed to blow off some steam. I was actively trying to write the worst lyrics I could for the chorus, which is where the line “write a chorus rhyme it with nirvana came from”… and we were just laughing the whole session. Annoyingly the song itself and the melodies turned out to be sick and our whole team loved it. The more I listened to it though, the more I realised how much I loved it’s message, namely that I need stop taking myself so seriously all the time, sometimes it’s nice to just be a dumb kid again.”
“Nowadays we’re constantly being polarised, judged and becoming more and more detached from each other in the process. It sucks. Life is tough. It gets expensive, it’s constantly demanding, and we’re surrounded by so much negativity that it’s hard to find the motivation to put on pants in the morning, so whatever you need to do to make it that little bit easier, just do it.”
Tickets to the ‘idc’ tour are on sale now, catch Dear Seattle throughout May, June & July with special guests The Tullamarines and Jet City Sports Club
Dear Seattle
DEAR SEATTLE are taking to the motorways on a mammoth regional tour across Australia in 2024 off the back of their recent single ‘idc’. An instant modern-day grunge classic, Sydney indie mavericks DS return armed with the anthemic new single, out now via Domestic La La.
Packed with fuzzy guitars, nostalgic rock nods and catchy melodics for days, ‘idc’ follows on from the quartet’s recent upbeat outing ‘Nothing’s Stopping Me Now’ with lashings of heart and a criminally catchy chorus primed for group singalongs.
Produced by long-time Dear Seattle friend and producer Fletcher Matthews (Trophy Eyes, The Buoys, STUMPS), ‘idc’ cuts a sharply fun figure, with the latest track ultimately starting life as a joke, springing to life at the end of an extensive writing session.
“idc started out as a joke,” shares guitarist and vocalist Brae Fisher. “Our producer Fletcher and I had spent almost a month writing a song every day, and I think we both went a bit loopy and needed to blow off some steam. I was actively trying to write the worst lyrics I could for the chorus, which is where the line “write a chorus rhyme it with nirvana came from”… and we were just laughing the whole session. Annoyingly the song itself and the melodies turned out to be sick and our whole team loved it. The more I listened to it though, the more I realised how much I loved it’s message, namely that I need stop taking myself so seriously all the time, sometimes it’s nice to just be a dumb kid again.”
“Nowadays we’re constantly being polarised, judged and becoming more and more detached from each other in the process. It sucks. Life is tough. It gets expensive, it’s constantly demanding, and we’re surrounded by so much negativity that it’s hard to find the motivation to put on pants in the morning, so whatever you need to do to make it that little bit easier, just do it.”
Tickets to the ‘idc’ tour are on sale now, catch Dear Seattle throughout May, June & July with special guests The Tullamarines and Jet City Sports Club
Win: We’re giving away ten in-season double passes to the new Amy Winehouse biopic, Back To Black
Gone too soon, the legacy of Amy Winehouse lives on through her mega albums, the 2003 debut Frank, and the undeniable multi-award winning sophomore, Back to Black, which brought us the infectious ‘Rehab’ and ‘You Know I’m No Good’. Now the legendary singer’s life is being immortalised in film.
Back To Black chronicles the life and music of Amy Winehouse, through the journey of adolescence to adulthood and the creation of one of the best-selling albums of our time.
To celebrate the release on Thursday 11 April, we’re giving away ten all-season double passes to a handful of lucky readers.
From the mind of Sam Taylor-Johnson, Back To Black sees Amy reborn through Marisa Abela, the film is a celebration of the most iconic and much-missed homegrown star of the 21st century.
Back To Black tells the extraordinary tale of Amy Winehouse. Painting a vivid, vibrant picture of the Camden streets she called home and capturing the struggles of global fame, Back To Black honours Amy’s artistry, wit, and honesty, as well as trying to understand her demons. An unflinching look at the modern celebrity machine and a powerful tribute to a once-in-a-generation talent.
To be in the running, all you have to do is enter below by filling out your name and email.
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Kubik Frankston is a culmination of Melbourne’s vibrant music and food culture, set against a world-class installation
Illuminated tanks of water become synchronised with dancing music inside the open air event space of Kubik which will be taking residence at McCombs Reserve on Frankston’s Waterfront for three weeks with an evolving program of events.
The space will be activated from Friday 5 April until Saturday 20 April as a family-friendly environment by day and through pulsating beats from world-class and local DJ and delectable culinary food truck options such as DOC Pizza and Beat Box Kitchen, and flowing beers from Frankston Brewhouse at night.
Kubik Frankston
- Kubik Frankston is an electrifying fusion of Melbourne’s music culture and food within a world class installation
- It will run from Friday 5 April until Saturday 20 April
- Kubik Frankston is free and family-friendly all week, with ticketed events on weekends
Kubik Frankston have built a program of vibrant music spotlighting Melbourne’s finest DJ’s with an all local lineup across the three weekends tackling a wide array of genres and grooves.
Keep up with the latest music news, festivals, interviews and reviews here.
The Music Program – Opening Weekend
Simmer into the celebration on Friday 5 April with Mr Gavin Campbell who will be on decks playing gems from Disco to 90’s house. Entry before 7PM is free for the eager who want to soak in the Kubik space.
Taking over Saturday night is infamous performers Honeysmack Live for an improvised dance floor performance led by synthesisers from the 90’s. The inclusion of handmade drum machines offers some intrigue for the sound lovers whilst the dance floor antics are a serious sight to behold.
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The first weekend ends on a high on Sunday 7 April but Mobile Disco famed Mr Eric Powell. Keeping the summer sun around, Powell will power through airy summer jams and classic disco hits. Adding the cherry to the top, Powell will be joined by a special guest, Anthony Papa, to rip through rare records from his 30,000 strong vinyl collection. This event is family and pet friendly, again with free entry prior to 7PM.
The Music Program – Week Two
Week Two is stacked with entertainment, leading in with Modular Theme Time by Rachele’s on Tuesday 9 April. A meditation on industrial past and post-industrial future, Rachele’s sound will fill the tanked environment thanks to his textured and dynamic soundscape heavy styling.
Thursday 11 April sees the space open up to families for an all-ages disco with Glow Up And Get Lit. Participants are encouraged to dress in loud light up clothes that will bounce off of the strobing lights.
Sunday 14 April is bursting with three major events. Firstly from 5PM – 7PM, the space will turn into a Swiftie dome for a full blown two hour Taylor Swift special. Taking cues from the Era’s tour, participants are encouraged to dress like Taylor whether it’s the glitter and sequins that entices you or the red lip, classic thing that you like.
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Next is the French House and laidback Sunday sessions from Natural Selection and Bounce Audio. Featuring Johan Elgstrom, Charles Eddy and The Camilos, this show is a must see. The added pairing of crepes from the good people at La Louche, cocktail specials and Aperol Spritz will only elevate their rich session.
Finally the team at Pohss Studio, known for their full moon silent discos, will be offering 20 minute sessions to connect with your body’s inner groove inside the Kubik Frankston confines. Bringing tunes, high vibes and much more, this is a great end to Sunday.
The Music Program – Closing Weekend
The second last night of the incredible installation will see UK Label BUSH Records take over the space, presenting their diverse artists in the immersive space and then closing out the Kubik’s time in Frankston with a full blown party is a special performance from The Operatives. They will be bringing with them an international name for a massive send off to the space.
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There is only a short amount of time to swim in the swirling sonic and water filled surrounds of Kubik Frankston so make sure you don’t miss out.
The Kubik Frankston is open Friday 5 April, running until Saturday 20 April at Frankston Waterfront. Tickets for events can be found at https://kubik.live/
Young, Talented, and Unstoppable: Astrid Armstrong is Geelong’s Rising Star
Born into a family deeply entrenched in the music industry, Astrid’s journey began long before she stepped onto the stage. With a father working in the music business and a mother who has navigated various facets of the industry, Astrid grew up surrounded by incredible musicians and immersed in the vibrant energy of live gigs and events. It was only natural that she found her own voice in the world of music. “I’ve been singing all my life,” Astrid shares, reflecting on her early beginnings.
Keep up with the latest music news, festivals, interviews and reviews here.
Fuelled by her innate talent and nurtured by years of dedication, Astrid started singing lessons in year four and continued to hone her craft ever since.
Now teaming up with the exceptionally talented Oscar Rose, Astrid has now formed the Astrid Armstrong Duo, a dynamic collaboration that fuses soul, funk, R&B, and pop into an irresistible sonic tapestry. Their partnership blossomed from a chance encounter, with Oscar’s unique musical flair complementing Astrid’s soulful vocals in perfect harmony. “It’s so much fun working with him,” Astrid says. “He’s been a mentor to me in many ways, with his incredible talent and ear for music.”
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The duo’s chemistry shines through in every performance, captivating audiences with their infectious energy and soul-stirring melodies. From intimate venues like the Piano Bar to larger stages like the Point Lonsdale Surf Lifesaving Club, Astrid and Oscar’s music is proving to transcend boundaries, uniting listeners in a shared experience of joy and celebration.
This month, Astrid and Oscar will be taking over the Barwon Club Hotel with a soulful experience on Sunday, 28 April. Their upcoming setlist, curated together, promises a vibrant mix of classics and contemporary hits, each song chosen to evoke emotion and ignite the soul.
But for Astrid, music is more than just a performance—it’s a conduit for human connection and self-expression. “Performing allows me to make people feel thoughts, feelings, and emotions that perhaps they haven’t considered and allow them to process these things,” she explains. “Being able to provide that for other people makes me feel so much joy.”
As Astrid looks to the future, her sights set on more gigs, songwriting endeavors, and possibly recordings, her journey as a musician continues to unfold. But amidst the whirlwind of rehearsals, performances, and school commitments, one thing remains constant: Astrid’s unwavering passion for music and her commitment to sharing her gift with the world.
Tickets to see the songstress at the Barwon Club can be found here.
Cooper Lower’s New Single ‘The Bar’ is a Poetic Elixir for Modern Masculinity
Few artists capture the essence of raw emotion and introspection quite like Cooper Lower.
With a soul-stirring new single, ‘The Bar’, backed by his magnetic presence and captivating talent, the Warrnambool-raised musician once again proves himself to be a force to be reckoned with in the contemporary folk music scene.
Keep up with the latest music news, festivals, interviews and reviews here.
Released on Friday, March 22, this poignant song serves as a meditation on manhood, reflecting Lower’s regional upbringing and the influential figures he encountered along the way. As the world grapples with conversations surrounding mental health and masculinity, Lower’s contribution to the discourse comes in the form of heartfelt lyrics, poignant vocals, and a stripped-back acoustic arrangement.
At the core of ‘The Bar’, lies Lower’s introspective lyricism, which navigates themes of strength, vulnerability, and the emotional toll of societal expectations. Lines like “Now, who will hold the bar, and who can hold it the longest, even if it tears us apart” and “Boys are cold that’s what they teach, boys are numb and that’s just how they’ll be” linger in the mind, inviting contemplation and reflection.
The bridge section in particular offers a poignant moment of reflection, as Lower breaks the chains of societal norms and expectations.
“Break the chains of our shackled youth, where we learn that we’re covered by the colour of blue, and that we need to find a lover who’s a mother to you, the men who smother the truth, maybe a brother to you, maybe another recluse, just may discover a new strength to fall.”
These lyrics serve as a powerful reminder of the importance of breaking free from outdated notions of masculinity and embracing vulnerability and authenticity.
“As a boy, I was taught to be strong and brave, and as I grow older, I now see the strongest and bravest men in my life are not just strong and brave. They are also kind, vulnerable, patient, forgiving people,” Lower says of the meaning behind his newest single.
“I hope that this song can serve as a catalyst for many more conversations about what we can help teach our young men to value most. I hope we can also have conversations about some of the things we need to educate our young men to be sensitive of, and to reassure them that there are some parts of our intrinsic masculine nature that are to be celebrated.”
While the lyrics are hypnotising, musically ‘The Bar’ captivates with its simplicity and sincerity. Lower’s stripped-back acoustic guitar serves as the backbone of the song, creating a contemplative atmosphere that allows his expressive vocals to take centre stage. Accompanied by subtle instrumentation that enhances the emotional resonance of the composition, Lower’s raw, tender delivery draws listeners into a world of profound emotion and introspection.
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A standout feature of ‘The Bar’ comes from Lower’s collaboration with US-based abstract artist Sarah Kraning, whose synesthetic interpretation of the song manifests in the single cover. This visual representation adds an extra layer of depth to Lower’s already evocative storytelling, offering listeners a multi-sensory experience that resonates long after the song has ended.
Since first witnessing Lower’s musical prowess on a local stage in Warrnambool back in 2018, it was clear that Lower possessed a rare gift for connecting with his audience on a profound level.
The last few years have seen Lower’s journey as a musician take him across continents, from the streets of London to major festival stages around the world. Garnering acclaim for his poignant lyrics, soulful vocals, intricate guitar work and soaring melodies, he has established himself as one of Australia’s most captivating young songwriters.
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With ‘The Bar’ and his upcoming project, Conversations, recorded alongside renowned Polish composer and producer Kris Gorski, Lower is poised to cement further his status as a musical force to be reckoned with.
In an era where conversations surrounding masculinity and mental health are more important than ever, Lower’s contribution to the discourse is both timely and impactful, reminding us of the power of music to provoke thought and inspire change.
Listen to ‘The Bar’ here and keep up with the latest from Cooper Lower here.
Timeless tales, thrilling twists and glittering memberships illuminate your next visit to Geelong Arts Centre
The best part? Geelong Arts Centre has just announced their brand-new Membership program – The Glitterati Whether you’re a seasoned arts enthusiast or just starting your journey into the cultural scene, there’s something special waiting for you in the Glitterati membership program.
Stay up to date with what’s happening within the region’s art scene here.
Glitterati
With a Glitterati Silver membership, you hold the opportunity to gain access to an array of exclusive perks, including a 10% discount on drinks at Geelong Arts Centre bars, a free drink on your birthday, PLUS the ability to select one free eligible performance. The Silver Glitterati membership is the ultimate way to enhance your entertainment experience and be part of the arts.
For those seeking the ultimate VIP experience, the Glitterati Platinum membership celebrates the show within the show, granting exclusive access to pre-show events and networking opportunities with fellow arts lovers, on top of granting tickets to the best seats in the house across the centre’s entire season.
The time is now! If you’ve been waiting for the perfect opportunity to tap into the arts and join the journey of the new Geelong Arts Centre, there’s never been a better time to get bang for your buck and embrace all the little member moments on offer. Head to the website to purchase your membership today
A Midsummer Night’s Dream
Next up on Geelong Arts Centre’s SEASON 2024 bill comes Bell Shakespeare’s timeless retelling of A Midsummer Night’s Dream from May 25 – 26 in The Story House.
With its everlasting tale of love, mischief, and mayhem, A Midsummer Night’s Dream promises a breathless journey into a world brimming with magic and modern twists. Blending romance, comedy, and enchantment, this story is sure to captivate both Shakespeare enthusiasts and newcomers alike.
Recognised as Australia’s national theatre company specialising in the works of Shakespeare and his contemporaries, Bell Shakespeare focuses on inspiring and engaging audiences by bringing Shakespeare’s classic works to life.
Quick as a shadow, fast and funny; this is A Midsummer Night’s Dream reimagined.
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Agatha Christie’s The Mousetrap
From July 4 – 7, you’re invited to step into the world of intrigue and suspense in The Play House with Agatha Christie’s The Mousetrap.
From the brilliant mind of one of the best-selling novelists of all time, comes one of the most famous whodunnit mysteries of the 20th century.
As the world’s longest-running play, this West End production has kept audiences on the edge of their seats for over 70 years, and now following a sold out 2022 – 2023 Captial city tour, it heads to Geelong Arts Centre to thrill and intrigue once again.
With its gripping plot twists and iconic characters, this legendary thriller is a testament to Agatha Christie’s mastery of the genre. As suspense builds and secrets unravel among the stranded guests in the snow bound Monskwell Manor, audiences will be on the edge of their seats, eagerly trying to piece together the puzzle before the final reveal.
Which one is the murderer? Who will be their next victim? Can you solve this world-famous mystery for yourself? You must see this show to uncover the truth!
Experience theatre at its finest
There’s no better time than now to dive into the arts and become part of the vibrant arts community blooming at Geelong Arts Centre.
Whether you’re drawn to the whimsical world of Shakespearean comedy or the spine-tingling suspense of a classic whodunit, there’s something for everyone to enjoy this season at your arts centre. Book your tickets now and prepare to be enchanted, thrilled, and dazzled by these unforgettable arts adventures.
Head to geelongartscentre.org.au to grab your Glitterati membership and lock in your next SEASON 2024 experience. New and experimental works meets traditional theatre plus so much more in a year of entertainment that must be seen to be believed.
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P.S: Creatives, listen in!
Creative Engine has been churning away in the background to create opportunities for creatives and artists alike to take artistic projects from page to performance. With a bunch of new initiatives in the pipeline, make sure you stay connected via our e-Newsletter to be the first to know when new opportunities arise.
Simply head to geelongartscentre.org.au and find the e-Newsletter sign up on the homepage. From there, select your preferences and be sure to tick below ‘I want to know more about – Opportunities for Artists’.
Xavier Rudd releases first EP in 25 years, Freedom Sessions
Acclaimed Australian singer-songwriter and Torquay claim-to-fame, Xavier Rudd surprised fans by giving back on Good Friday, dropping his new EP, Freedom Sessions, via Salt.X Records / Virgin Music Group.
The first new body of work since his critically acclaimed 2022 album Jan Juc Moon, Freedom Sessions is a six-track collection of four previously released singles, ‘World Order‘, ‘High Times’, ‘Road Trippin’’ and ‘Free the People’ alongside a glorious new offering ‘Moments’.
Freedom Sessions Track List
- World Order – Part 1
- World Order – Part 2
- Moments
- High Times
- Road Trippin’
- Free The People
On the release, Xavier says, “My first EP release in 25 years, ‘Freedom Sessions’ was created during a particularly unique period of time… and is a celebration of the blessing of ‘freedom’ – a simple state of being that we all should have the right to exist in. It’s been a super interesting time recording this music, through my introspective journey in studio I have learnt, grown and released.”
Keep up with the latest music news, festivals, interviews and reviews here.
“The last song for you to hear upon release is called ‘Moments’. This is a special song for me and the perfect way to hand the last of this music over. Our lives are made up of moments that fly by so fast but shape so much. I guess the goal is to handle our moments with truth and purpose to build solid foundations in this life.”
In addition to new music, this year will see Rudd touring the most intricate solo show of his career, playing multiple instruments and fusing complex live looping and soundscapes throughout his new songs. Having made a homecoming last December at the Torquay SummerSalt Festival, Rudd is heading across to North America next month and on to Europe for summer festival season. He’s set to return to Australia for more shows later in the year.
You can listen to Xavier Rudd’s Freedom Sessions here.
Plan Your Stay In Ballarat As The City Lights Up For White Night
Taking place as a one-night-only exclusive city takeover on Saturday 1 June 2024, White Night will transform the Ballarat landscape with illuminations, projections, interactive works, music and immersive experiences seeing laneways, buildings, streets, and heritage venues laced in light designs. Snaking around Ballarat’s iconic heritage CBD streetscape, the kaleidoscopic projections dance on the facades of the historic buildings breathing magic into the region’s cold winter air.
Under the creative and artistic direction of renowned major events organisation Accolade.art and Artistic Director and Creative Producer Andrew Walsh, White Night has a proven track record in the region as a vibrant and inclusive culmination and celebration of immersive art and community participation, accessible to all walks of life.
Stay up to date with what’s happening in and around the region here.
Since their first major city takeover in Melbourne in 2013, as the first city in Australia to host the popular 2002 established Parisian Nuit Blanche festival, Accolade.art now has six White Nights under their belt in partnership with Visit Victoria. On a regional scale, White Night has been rolled out across Ballarat, Bendigo, Geelong and Shepparton in previous years, with White Night Geelong 2022 setting the record with 93,000 attendees. The major event acts as a major tourism driver and a source of civic pride for its host cities.
This was the case in 2019 for White Night Ballarat. The standout event not only saw the town painted in colourful projections but also attracted 40,000 visitors to the city and generated $2.8 million in economic impact for the region.
As the annual dusk-til-dawn project program and festival continue to grow and develop, reemerging from a hiatus, 2024 is set to be a blockbuster event. Residents, locals and tourists are invited to explore the streets of Ballarat whilst also being encouraged to sink in what the city and surroundings has to offer.
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If you would like to stay in line with the art experience, a stop into the Art Gallery of Ballarat to see Nan Goldin’s prolific photographs in The Ballad of Sexual Dependency in its final days is a great option. Another must-see attraction is the stunning Ballarat Botanic Gardens. The 40-hectare garden located on the shore of Lake Wendouree is picturesque with its remarkable collection of mature trees and marble statues surrounded by colourful bedding displays. Enjoy live music as part of White Night Ballarat on two stages in the CBD with a special program fit for all music lovers.
On the hospitality front, Ballarat is dotted with excellent cafes, restaurants and bars with a number of them partaking in the White Night celebrations. Hop Temple with their rainbow umbrella laneway is always a favourite for craft beers and burgers, and bistro-esque discotheque Renard doubles as a dreamy cocktail bar and disco. Cobb’s Coffee and Fika Coffee Brewers are go-to’s for the caffeinated.
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In preparation for the town’s visitation influx, as it is positioned just 90 minutes from metropolitan Melbourne and 60 minutes from Geelong, those attending the dazzling night time experience are encouraged to book accommodation in advance.
Jump on the M8, the A300 or the V/Line and head out to Ballarat for a weekend of entertainment and city exploration on Saturday 1 June 2024 as the city explodes with lights, sounds and people for White Night. Program information will be announced in April with updates available at https://whitenight.com.au/ballarat/.