Jack White is a god. Lazaretto, his latest release, is an absolute rocking listen right from the get-go. Released in the last fortnight, it has had rave reviews from all over the world and has been featured on triple j. From the overdriven guitar lines to the rollicking twelve bar blues piano and simple lyrics, there is definitely something here for everybody to enjoy.
Most jokes just aren’t as funny the second time around. Luckily, in this follow-up to the surprise hit 21 Jump Street, directors Phil Lord and Christopher Miller (The Lego Movie) have put a new spin on the old TV series. The first film was all about how lame it was to even try to make a movie of the 21 Jump Street TV show; this one is about how lame it is to even try to make a sequel to the 21 Jump Street movie … Maybe the jokes aren’t all that new.
When we last saw Hiccup (the voice of Jay Baruchel) and his dragon Toothless, they’d brought together dragons and Vikings to live in harmony on the rocky island of Berk. Five years later and they’re all one big happy family – but while Hiccup’s father (and island Chief) Stoick (Gerard Butler) is still running the show and Hiccup’s girlfriend Astrid (America Ferrera) is winning at the island’s new top pastime – dragon racing – Hiccup is off exploring and mapping uncharted islands.
A smaller kit with a huge sound! Great for wedding bands, busking, and many other ‘space poor’ venues or environments. With venues closing down, gigging spaces becoming smaller and a shift away from louder styles of music, it could be the perfect time to reevaluate your need for a dual-kick, five-tom set-up. In reality a 16” bass drum is hardly the definition of ultimate sonic versatility, so a reduction in size carries the possibility of a reduction in price.
There is a well-kept secret on the Bellarine Peninsula: on a wintery long weekend in June the ‘clans’ gather in the seaside town of Portarlington. Amidst singing, dancing, drinking, eating and playing music, a celebration of friendship is held. For those well-versed with the Irish and Scottish traditions, the National Celtic Festival is compulsory. Meanwhile, for those not initiated, it is a wonderful surprise to find such amazing music and dedicated musicians in our midst.
If you were looking for a template to base a movie about Princess Grace on, The King’s Speech probably wouldn’t leap to mind. And yet that’s what we get here. New to the throne of Monaco, former Hollywood glamour girl turned princess Grace Kelly (Nicole Kidman) is yet to make any real connection with her subjects or her duties – in fact, she’s actively considering going back to Hollywood and acting in Alfred Hitchcock’s latest movie.
Australian country music has never looked in better hands than with Wagons and their latest album, Acid Rain and Sugar Cane. Gritty electric guitar and horn arrangements ring out as Henry Wagons channels Nick Cave in ‘Hold On Caroline’, the most impressive opener to one of their albums yet. Co-produced by Mick Harvey of the Bad Seeds fame, this album in parts is a lot darker than previous releases, but I think that is one of the main positives behind it.
Hazel (Shailene Woodley) is your typical teen: wise beyond her years, doesn’t have to go to school, and walks around with an oxygen tank. She’s a feisty truth-teller, even if pretty much the only thing she does do with her life is go to a cancer support group that she secretly mocks. Hey, lay off: she’s got cancer, don’t you know? Then one day hot guy Gus (Ansel Elgort) turns up at one of her meetings and starts making serious eyes at her.
Opening with the title track, rollicking punky guitar lines and kick drum compliment my headphones. It’s a little bit of a departure away from the bluesy guitar tunes that Dyson is well known for but I think it is a positive direction for her fifth album in eleven years. Funky basslines and organ accompaniment are present in ‘Growing Up’, which make the sensitivity and passion in Dyson’s vocals shine through a lot more in the songs than previously.
It’s not that Seth MacFarlane’s latest film isn’t funny. In this western comedy he continues the rapid-fire approach to joke-telling that’s been a hallmark of his career since he started Family Guy, so that for every joke that misses there’s at least one that hits. And he mixes up the kinds of jokes he’s telling too, so while there’s a fair amount of crude stuff here there’s a bunch of smart jokes about the nature of the West and the social attitudes of the time (people sure were poor, ignorant and racist) in there, too.