Our guide to the Castlemaine Documentary Festival 2025: Truth, You Couldn’t Make This Stuff Up
From Friday 4 to Sunday 6 July, audiences will once again gather at the iconic Theatre Royal to experience stories that surprise, provoke, and connect.
This year’s theme, “Truth – you couldn’t make this stuff up,” speaks to the extraordinary real-life narratives on offer — films that push beyond fact into emotional, political, and imaginative terrain. Whether intimate or epic, playful or profound, the stories on screen explore the truth in all its messy brilliance.
From AI-generated cinema to clairvoyants, the exciting program blurs the lines between fact and fiction, presence and performance. “This year’s selection doesn’t only look at different worlds,” festival director Claire Jager adds, “but tries to enter them, breaching boundaries with approaches that are inventive and playful, audacious and strange.”
A highlight of the regional arts calendar, the Castlemaine Documentary Festival continues to put Castlemaine on the cultural map, offering a world-class film festival experience in a town defined by its creative energy and vibrant community.
Here’s your full rundown of what to expect across the weekend…
Castlemaine Documentary Festival 2025
- When: July 4–6, 2025
- Where: Theatre Royal, Castlemaine
- Tickets: here
Stay up to date with what’s happening within the region’s art scene here.
Friday 4 July: Opening Night
The festival opens with a world premiere double-header that’s all about technology and transformation.
The Human Algorithm kicks things off — a mind-bending experiment in AI-driven cinema, narrated by a virtual avatar and composed using generative tools. It’s the kind of film that makes you question what “real” even means.
Then it’s Stelarc – Suspending Disbelief, a fascinating dive into the career of Australia’s most daring performance artist. With third ears, robotic limbs, and death-defying stunts, Stelarc’s mantra — “the body is obsolete” — pulses through this energetic portrait.
Capping off Friday night is a major festival event: Dziga Vertov’s legendary Man With a Movie Camera (1929) accompanied live by an original score from Moda Discoteca — the electronic incarnation of Melbourne icons Underground Lovers. It’s a once-only chance to see a silent cinema masterpiece reimagined through synth and sound design in Australia’s oldest continuously operating theatre.
Saturday 5 July: Art, Light, Resistance + Regional Stories
Saturday’s lineup brings visual poetry, political resistance, and powerful local storytelling.
Tracing Light (Aus premiere) is a luminous meditation where science and art collide. Using the theories of Einstein and the palette of Picasso, it explores how light has shaped human perception and abstraction alike.
Writing Hawa (Aus. premiere) is one of the festival’s most emotional selections, following three generations of Hazara women in Afghanistan as they chase education and liberation against the backdrop of oppressive regimes. Directed with compassion and clarity, it’s a portrait of survival through creativity.
At 5pm, C-Doc’s beloved LOCALS program takes the spotlight — a vibrant showcase of short documentaries by central Victorian filmmakers. Expect humour, heart, and the unexpected as these bite-sized films reveal the extraordinary in everyday regional life.
Then, clear the stage for the Victorian premiere of Reas — a wild, musical documentary set inside a Buenos Aires women’s prison. Inmates voguing, singing, and re-enacting their pasts? Believe it. The screening is followed by live music from Melbourne’s own Sugar Fed Leopards, taking the party into the night.
Sunday 6 July: Literary Icons, Cold War Jazz & Clairvoyants
The final day doesn’t let up, delivering powerhouse films to close out the weekend.
Blue Road: The Edna O’Brien Story (Aus. premiere) honours one of Ireland’s most radical literary voices. At 93, O’Brien looks back on a life of rebellion and creativity, with her diaries voiced by Oscar-nominated Jessie Buckley.
Soundtrack to a Coup D’Etat explodes onto the screen with a fast-paced tale of Cold War espionage, CIA plots, and Congo’s struggle for independence — all underscored by a blistering jazz soundtrack featuring legends like Nina Simone, Coltrane and Dizzy Gillespie.
In The Wolves Always Come At Night (Vic. premiere), Mongolian herders face displacement and urban alienation in a lyrical documentary that feels part fairytale, part reality check. It’s a quiet, cinematic gut-punch.
The closing night film, Look Into My Eyes (Vic. premiere), turns inward. Director Lana Wilson (of Miss Americana fame) explores the world of NYC psychics with surprising empathy and humour. “Where the truth is,” Jager notes, “the magic feels real.”
Beyond the Screen
Beyond the big-screen stories, C-Doc 2025 packs the weekend with panel discussions, live performances, themed social events, and plenty of time to connect with filmmakers, locals, and fellow doc-lovers over coffee or wine.
And of course, it wouldn’t be Castlemaine without making the most of the local produce, people and passion. Whether you’re a cinema aficionado or just keen on a wintery weekend escape, Castlemaine Documentary Festival promises storytelling that will move, provoke and stay with you long after the credits roll.
Tickets and full program details here, are you ready to explore the truth?