Get to You is the debut record from Melbourne band The Night Party. A collaboration between Buck Lexton and Rick Sands, this album draws some comparisons to the likes of The Black Keys and The Rolling Stones. Although the album only goes for 30 minutes, throughout the twelve tracks there is an extensive music landscape created through each of the tracks.
Discovering Ásgeir was one of the best things to happen to me this week; then I got given his album to review. Already becoming the fastest-selling debut album in Iceland by a domestic artist, Ásgeir is now ready to show Australia his “Folktronica” sound inspired by the likes of Mumford & Sons, Bon Iver, Alt-J and James Blake in his English language version of Dyrd i Daudathogn (In the Silence).
Award winning Singer songwriter Timothy Carroll and Producer cross Guitarist Oscar Dawson came along 3 years ago to create the band Holy Holy, demoing in stairwells and apartments in Stockholm and Berlin the boys released a full length Album on their return. Driving along listening to triple J yesterday I had to pull over and shazam a song that turned out to be Holy Holy’s latest single ‘House of Cards’.
If intro songs were the be all and end all of an album, then Teeth & Tongue would have Grids in the charts. Starting off with their track ‘Good Man’, also played on triple j, listeners are immediately acquainted with the quirky, slightly ’80s sounds of Teeth & Tongue.
There’s nothing quite like an album that opens with a track titled ‘Whore’ and then follows it up with 15 equally original, albeit less insulting, track titles. Born and raised in Detroit, Rollo Ellis has been playing in bands since he was 14-years-old. Amongst his vast history in the music industry, he’s played solo naked, traded in a Les Paul guitar for an acoustic, and numerous other interesting life events.
Is it wrong to be sold on an album based entirely on their cover design? If it is, then call me a sinner because Future Islands’ album, Singles, is damn attractive. Luckily, the contents of the pretty cardboard casing aren’t too bad either. Just imagine the typical ’80s video clip with a man singing evocatively by the beach and you’ve got Future Islands’ sound down to a T.
Geetroit Rock City was shaken up as the inaugural Motor City Music Festival hit the showgrounds over the Labour Day weekend. Celebrating 20 years of the Blues Train, there were some fantastic artists showcasing over the weekend. A couple of my favourite sets included the big electric guitar showcase featuring Australian blues royalty in Lloyd Spiegel, Jimi Hocking and Geoff Achison.
As a massive fan of Mikhael Paskalev, I was super excited to see his debut Australian album release of What’s Life Without Losers released last Friday. For most, the part-Norwegian part-Bulgarian indie-folk popstar is known for his incredibly catchy and short tune ‘I Spy’, which featured in the Kellogg’s LCM bar ad where the kid gets overly super excited about the LCM bar being in their lunchbox.
There is absolutely no doubting past Voice contestant Michael Paynter has an incredible singing talent; shown the whole way through his newest album, Weary Stars. Kicking off the album is a song you have heard plenty of times before, ‘How Sweet It Is’, an old single released by Paynter during his time with major record label Sony BMG in 2011, an odd choice for me as there are plenty of great fresh new tunes on this album.
There’s something so understatedly catchy yet appealing about the Dum Dum Girls’ third full-length album Too True. The band has brought back their iconic indie-pop sounds, with their simple yet piercing lyrics being a feature throughout.