For those of us who are impatient beyond means, a slow build can be the most frustrating thing in the world. But for the rest of us, it can be a moment of beautiful contemplation. I, a Man’s debut release, Gravity Wins Again, master these opportunities from start to finish.
After hearing the much-celebrated release ‘Bros’ from Wolf Alice, I was beyond excited to get my hands on their new EP, Creature Songs. ‘Moaning Lisa Smile’ shocks listeners harder than a slap to the face. This bold, sassy number draws you in and makes you wonder why you’ve never given them any attention sooner. Keeping up with their intense visceral sound, Wolf Alice maintains momentum for the distorted guitar and thrashing drums of ‘Storms’.
Frenzal Rhomb has been around for a lazy 22 years. In those years they have had some colourful experiences to say the least – from being banned from being played on JJJ, to ‘The Doctor’ becoming one of the station’s long serving-hosts; band members having to get surgery to remove a pig tapeworm egg from their brain, to being one of the more successful at-home and abroad punk bands that Australia has ever had. Frenzal have also played Geelong a bunch of times in those 22 years, so I was expecting a healthy and excitable crowd for the show at the BC.
Shades of Bob Marley, Yothu Yindi and Santana are all present within Larry Maluma’s eleventh studio effort Ndakondwa (I’m Happy). Like smooth Jamaican rum, throughout all of the tracks on the album are many stories explored through both English language and Maluma’s native tongue.
When Boy & Bear hit the stage the mild-mannered seated audience erupted as the guys started playing their first song. Drummer Tim Hart had a rather minimal set-up which was a nice change from most bands you go and see these days. The boys were grouped together much more than they needed to be, only taking up about a quarter of the enormous stage that is Costa Hall.
The part-Bulgarian, part-Norwegian’s cheeky sense of humour was clearly evident through the whole set, kissing his guitarist and long-time friend Joseph on the cheek and introducing his song ‘Come On’ as a “song about Chris Brown and Rhianna’s loving relationship”, to which all had a bit of a chuckle, and even whipping out a trumpet.
If you need music to pick you up on a Monday morning, well have I got the fix for you! M&R, the latest release from Brisbane indie soulstress Bec Laughton, is a disco and RnB toe-tapping release that is sure to keep you warm throughout winter.
Blue Mountains natives DJ Morgs, MC Tuka and MC Jeswon, collectively Thundamentals, are back with the follow-up to 2011’s Foreverlution. And it lives up to that legacy. ‘Smiles Don’t Lie’ has been getting radio play for a while now and is probably the best track on the album, familiarity aside. It’s clean (the sound, not the lyrics), has a great beat and is just a good groove.
It feels like ages since we heard Saskwatch’s 2012 debut Leave it All Behind, but luckily their sophomore has finally arrived and is well worth the wait. After a couple years’ break, the band has had time to fine-tune their style in their new release, Nose Dive. This time around they’ve stepped away from the ‘soul band’ tag and have experimented with a bit of rock and funk.
After three years with several delays, the boys from The Murlocs have released their much-awaited debut, Loopholes. At four-and-a-half minutes, ‘Control Freak’ eases you into the unique sound that is The Murlocs. With country twangs, garage rock and their own brand of soulful RnB, it’s hard to pin them to a genre. Coming from the Surf Coast of Victoria, it makes their style a little bit more understandable.