So Long, See You Tomorrow is the latest release from London indie kids Bombay Bicycle Club, and their fourth album to date draws on a sound that the band has been working on for quite a while. Breaking into the music scene with their debut album I Had the Blues but I Shook Them Loose in 2009, they stormed on to the scene with the singles ‘Always Like This’ and ‘Ghost’. Fast-forward five years and the band are now making blissful electronic music.
Grew up in regional Victoria. Rehearsed in a big shed. Line-up features siblings of the female variety. Natural harmonies influenced by cranking rock from the ’60s and ’70s. Embraced by major off-shore festivals… I suspect this local rock/roots trio would be happy to never hear the name ‘Stonefield’ ever again.
Flesh and Blood is the latest release from the new incarnation of the John Butler Trio, and their sixth album to date takes on a lot more of a different direction to their previous releases. One of the main catalysts behind this move was bringing in Jan Skubiszewski to produce the record. Jan is Owl Eyes’ longtime collaborator and is the man to work with in Australia for electronic music and production.
No need for a ‘happy hippie’ alert here. Queenslander AKoVA (Andy Kovacic) wears his new age sensibility unashamedly on his op-shop chic sleeve. Described as “the love child of Cat Empire and Xavier Rudd”, the latter reference is the most applicable. Formerly of roots/reggae group Shoebox, Earth Recruit is AKoVA’s solo debut. The one-man band deftly wrangles guitars, vocals, cajon, djembe, ankle bells, ukulele, kazoo and sundry percussion tools.
American films about the wars in Iraq and Afghanistan have usually failed to connect with audiences. Director Peter Berg’s adaptation of US Navy SEAL Marcus Luttrell’s memoir Lone Survivor is an exception, raking in big money at the US box office: it seems the secret to mainstream success is no-holds-barred patriotism. The true story of a failed four-man mission in 2005 to assassinate a Taliban leader in Afghanistan, this film is smarter than it looks. Which, to be honest, isn’t all that hard thanks to a lot of extremely overt US patriotism. (It opens with a real-life Navy SEAL training montage and ends with a terrible soft-rock version of Bowie’s ‘Heroes’.)
First, the bad news: this reworking on the 1981 classic does not take the same approach as that film and depicts quasi-underage love (he was 17; she was 15) as some kind of dangerous mental affliction that will burn down both homes and lives with its unstoppable passion. For starters, both our endless lovers here – small town mechanic and country club valet David (Alex Pettyfer) and rich girl Jade (Gabriella Wilde), who’s spent the last few years in a social isolation chamber after the death of her brother Chris – are firmly of age, with the film’s opening scene showing the pair of them graduating from high school.
Adele (Adèle Exarchopoulos) is a high school student in modern-day France where just about every book they study has some bearing on her personal life. Something a little less relevant is her peers’ obsession with boys. She acts interested but her heart isn’t in it – and then one glance at a mysterious blue-haired woman (Léa Seydoux) is enough to send her heart (and other regions) a-flutter. As Adele explores her attraction to women, her path and Emma’s crosses again and they become friends, then more than friends, and if you were wondering what “more than friends” actually means, there’s a ten minute sex scene just to make it clear.
When Texas rodeo cowboy and electrician Ron Woodroof (Matthew McConaughey) wakes up in hospital with thirty days to live, he’s not happy. As a (generally) straight non-junkie, HIV is not something he’s supposed to have in 1985. His friends promptly shun him and trash his house. The treatment available does nothing. So he does what a hustler does – he pays an orderly to steal him a supply of AZT, a drug that, maybe, might help.
The first show of a national reunion tour could be a cause for concern – will they still have that spark? Hunters and Collectors are an iconic Aussie band with a rich history, and there is an awful lot for them to live up to – and 1998 seems far away now. British India opened the show well. I like these guys more every time I see them and I hope they gained new fans. They deserved to.
Give the People What They Want is the latest release from funk and soul queen Sharon Jones. Opening with ‘Retreat!’, this album sounds original, fresh and, no pun intended, sounds just what the people want. Thundering along like a Bamboos record, the majority of these songs tracks are written by the rhythm section of the band, and from looking at the liner notes of the instrumentation on each track, it would have taken quite a while to piece this together.