Nussy, aka Dani Smarrelli, has managed to channel a few bad experiences into a pretty decent debut EP, and boy are we glad she has. Her synth-infused pop tracks match her Twiggy-meets-La Roux style, and make her the perfect modern day pop package.
The Slash Signature Vermillion Les Paul blends timeless specs with Slash-approved features and details, all dressed in a luscious new finish from Gibson USA: Vermillion. This rich, deep-red transparent finish in hand-sprayed nitrocellulose lacquer perfectly exhibits the guitar’s Grade-AAA flamed maple top, while letting the tonewood breathe to enhance an equally rich, deep, resonant tone.
Director Anton Corbijn didn’t set himself an easy task in adapting John le Carré’s 2008 novel. Le Carré’s work is notorious both for his dour look at the world of spying and his intricate, complex plots. So here Corbijn and scriptwriter Andrew Bovell have created a film in which every detail is vital. There are no dead patches here, no moments where you can safely duck out for a minute to check your phone.
Philosophy and gun fights don’t really seem like a natural combination, but they’re one of the more successful team-ups in movie history. There’s been loads of existentialist hitmen and crooks all the way up to the lead in Drive; The Matrix was more than happy to ponder the nature of reality in between somersaulting shootouts; and now in Lucy Scarlett Johansson unravels the mysteries of evolution and time itself when she’s not fending off a Tawianese drug cartel.
I’ve always been a fan of Jonathan Boulet, and in fact his debut album was the first album I ever reviewed for Forte magazine. Right from the beginning of his career he has always pushed the boundaries in terms of production and trying to get the strangest or quirkest sounding elements to the recording.
It’s not everyday that someone drops out of art school to pursue music, and then actually succeeds. Allday seems to have done this with ease, and his debut release Startup Cult is possibly one of the most anticipated releases of 2014.
Oren (Michael Douglas) is an acid-tongued real estate agent living in a tiny lakeside apartment packed with his old furniture while he tries every trick in the book to sell the mansion he’d shared with his now deceased wife. Leah (Diane Keaton) is a ditzy nightclub singer living in the apartment next door who’s still struggling to get over her husband’s death.
Once you figure out the formula behind Marvel’s current run of movies, it’s awfully hard to go back to enjoying them. In that sense then, Guardians of the Galaxy is just about the smartest move they could have made at this stage of the franchise.
Thomas (Mathieu Amalric) is a playwright directing his first play and after a long day of auditions he’s about to head home when Vanda (Emmanuelle Seigner) comes in out of the rain. She’s here to audition and she’s not going to be put off by his efforts to get her out the door and gradually she wears him down enough for them to at least start talking about his play, an adaptation of the classic story ‘Venus in Fur’ about a man’s obsession with a woman who can dominate and control him.