It feels like ages since we heard Saskwatch’s 2012 debut Leave it All Behind, but luckily their sophomore has finally arrived and is well worth the wait. After a couple years’ break, the band has had time to fine-tune their style in their new release, Nose Dive. This time around they’ve stepped away from the ‘soul band’ tag and have experimented with a bit of rock and funk.
After three years with several delays, the boys from The Murlocs have released their much-awaited debut, Loopholes. At four-and-a-half minutes, ‘Control Freak’ eases you into the unique sound that is The Murlocs. With country twangs, garage rock and their own brand of soulful RnB, it’s hard to pin them to a genre. Coming from the Surf Coast of Victoria, it makes their style a little bit more understandable.
Over the years, the Palace Theatre up the top of Bourke Street has been very good to me. To be finally saying goodbye due to the redevelopment into apartments is very sad, but having the opportunity to see English indie kid Jake Bugg there was very exciting indeed. Out here for the recent Bluesfest at Byron Bay and Deni, as well as sideshows, it was very exciting to see Bugg in action after hearing so much about him and watching live videos on YouTube.
I’m normally a fence-sitter when it comes to produced music, but Sohn’s new release, Tremors, has me reconsidering my position. After a false start with a few very repetitive, somewhat over-produced tracks with elements that just don’t gel, Tremors soon gets on to the good stuff with ‘Artifice’. The track starts off strong, with multiple complimenting layers, before Sohn’s vocals come in and an African-esque drumbeat continues throughout.
Cameron Diaz is Carly, the kind of hard-hitting, go-getting lawyer who doesn’t have time to practice any actual law – she’s too busy sleeping with a variety of men whose names she doesn’t even bother remembering because they’re just that disposable. Then she meets Mark (Nikolaj Coster-Waldau), and all that changes: now she’s not only remembering his name, she’s only sleeping with him.
Our story begins in a bleak San Francisco future where computers are doorstops, mobile phones are trash in the street, and everyone sits around looking really, really bored. Through this wanders Max Waters (Paul Bettany), a man who, with no internet to distract him, has plenty of time remember how this all started, five long years ago… Wait: this story about how we have to be terrified that computers are going to take over the world is only set “five years ago” and not in 1991?
Mac (Seth Rogen) and Kelly (Rose Byrne) are a young couple trying to convince themselves that being married and having a baby doesn’t mean they have to give up on having fun, even if all their attempts at having fun fizzle out. So when a fraternity moves in next door – seriously, aren’t there laws against a bunch of teenage guys buying a house in a suburban street to turn it into a party dungeon?
Brisbane duo The Phoncurves are back with their new EP entitled Heartstrings. With luscious vocal melodies, this group has already mixed it with the likes of Josh Pyke, Thelma Plum, Asta and The Paper Kites to name but just a few.
You’d be hard-pressed to find a musician that has been working harder than Shaun Kirk over the past few years. Steer the Wheel, a majority crowdfunded record, is a stunning full band affair this time around, featuring the talents of Danny McKenna and Grant Cummerford as Kirk’s rhythm section.
Get to You is the debut record from Melbourne band The Night Party. A collaboration between Buck Lexton and Rick Sands, this album draws some comparisons to the likes of The Black Keys and The Rolling Stones. Although the album only goes for 30 minutes, throughout the twelve tracks there is an extensive music landscape created through each of the tracks.