Mia (Chloë Grace Moretz) is a seventeen-year-old whose life is starting to come together. An introverted high school cellist, she’s somehow managed to attract the attentions of the hottest dude in school, teenage rock star Adam (Jamie Blackley). Their love of music might be an obvious link – thuddingly obvious thanks to this film’s love of name-dropping at every possible opportunity – but it’s pretty clear there’s real passion between them. Bummer she’s already dead, hey?
Back with another release, the 2013 Unearthed High Competition winners have really honed in on their style. And they’ve done it from playing at Falls Festival, Live It Up Festival and supporting British India, Dune Rats and Grinspoon.
The electronic drum kit you can take on the bus! When you ask drummers, “Which brand has the best electronic drum kit?”, the typical answer is Roland. Taking their experience from the higher end kits, Roland has delivered a kit that is not only affordable, but so portable it can be transported anywhere quite easily.
Ivan Locke (Tom Hardy) walks off a building site, gets into his car and starts driving. And that’s pretty much it for this film: the following eighty-something minutes are just him behind the wheel juggling phone call after phone call as his life pretty much falls apart. For one thing, his family aren’t exactly happy that he’s not coming home; for another, his bosses are even less impressed that he’s driving off on the eve of one of the biggest concrete pours in European building history – a pour he’s meant to be supervising.
I’ll admit that I was sceptical about this album before I listened to it because it was classed as a pop album. Now, I know as a reviewer (or any good writer) you shouldn’t have any preconceived ideas or judgements and you should take things for what they are, but that’s really, really hard being human and all. So as you’ve probably guessed already, pop isn’t really my cup of tea, so I was pretty shocked when I found myself uncontrollably grooving along to I Hope You’ll Be Very Unhappy Without Me at my desk.
These days it’s easy to forget music existed, grew and evolved before the internet, even for someone of my age where I lived through internetless times. Metal Down Under (MDU) begins where all stories begin, at the beginning, in the late ’70s and early ’80s where Australian metal bands drew local metalheads to local bars and pubs.
After getting himself shot (and surviving) during a drug bust, detective Malcolm Toohey (Joel Edgerton, who also wrote the script) is a hero. Which is lucky, because after a night spent in boozy celebration he drives home, sideswipes a kid on a bike, and leaves him in a coma. It’s the kind of thing that costs cops – even hero ones – their badge; fortunately for him, Detective Carl Summer (Tom Wilkinson) is handy and more than willing to put together a cover-up that will keep him out of trouble.
Hardcore is one of those genres that tends to be a bit hit-and-miss – either the band is excellent, or they’re downright terrible. Thankfully, Hope in Hell’s self-titled EP falls in the former category. For the most part, Hope in Hell has an excellent high-energy vibe – while there are a few subdued parts, the EP absolutely thunders along. Simon Mazzei’s drumming is excellent, too – listening to the EP on high volume, it’s like getting punched in the face repeatedly.