As you might have heard, DC is making a few changes to their titles. Gail Simone is off Batgirl, Brian Azzarello is finishing up on his excellent Wonder Woman run and Scott Lobdell is (rather controversially) back writing Red Hood and the Outlaws. Most controversially, however, DC decided to fake Dick Grayson’s death at the end of their annoyingly long Forever Evil arc. Yup, the vast majority of the DC heroes (sans Batman, naturally) think he’s dead. Nightwing is no more, replaced by the new series Grayson, written by Tim Seeley (Revival, Batman Eternal) and former counterterrorism officer Tom King.
So it seems that despite helping to make some awesome comic book movies, David S. Goyer’s a bit of a douche. In a recent panel interview for the Scriptnotes, Mr Goyer decided to proclaim that, a: anyone who’d heard of Martian Manhunter was likely a virgin (so mature) and, b: She-Hulk was merely an extension of a male power fantasy and was a character that existed solely for the Hulk to have sex with. Apparently he decided to gloss over the rather important point that She-Hulk (aka Jennifer Walters) is actually ol’ Hulky’s cousin. So, yeah, doubt that’s ever gonna happen.
Ave Satani! Hail Satan! And of course his demonic little offspring, Damien Thorn. When people think of director Richard Donner they tend to think of 1978’s Superman, but only two years before that he directed one of the greatest horror films of all time – 1976’s The Omen. With Friday the 13th having recently passed I was planning on watching one of the Friday the 13th sequels and writing a thematically solid column, but before this could be done I found my wife had never seen The Omen. That was enough of an excuse to purchase the trilogy on Blu-ray.
For years I’d been aware that Days of Future Past was considered one of the great X-Men storylines, so I could barely contain myself when picking up a trade while visiting America. The Future Past storyline, it turns out, is only two issues in length, with the rest of the trade being filled with Nightcrawler visiting the nine circles of Hell and also some other stories that weren’t very memorable. But hey, I thought, even if the DoFP story is a little shorter than I expected, it’s still meant to be incredible. Then I read it.
So, despite missing out on the main event on Free Comic Book Day, I lucked out and was able to get my hands on two of the freebies on offer – the Sherwood Texas/Boondock Saints double feature and Grimm Fairy Tales: Age of Darkness issue #0. The verdict? Well, I’ve got mixed feelings.
As the name suggests, Sex Criminals is about sex … and it features some criminals. The thing is, though, that they’re not initially criminals: Suzie is a librarian, and Jon is a banker/repressed actor. What’s unique about them, though, is their secret: when they orgasm, they can freeze time.
It really looks like its Image Comics’ time to shine this year. The nominees for this year’s Eisner awards were announced a little while ago, and Image is absolutely dominating the list. All up, Image has 20 nominations, with four out of the five nominees in the ‘Best Continuing Series’ category belonging to the rising-star publishing house. The comic I’m talking about this time around is actually one of the Image titles up for an Eisner award (‘Best New Series’) – Lazarus.
So, I’ve never been a huge fan of Captain America. He’s always come across as kinda cheesy, and, much like Superman, has that Boy Scout personality that just doesn’t sit well with me. I like my heroes with flaws, dang nabbit! Despite my distaste for the comic version of the character, I’ve particularly enjoyed the way he’s been portrayed on film by Chris Evans in the MCU. Captain America: The First Avenger turned my perception of Cap around and I absolutely loved the film.
Young Justice is never coming back – and that’s the worst thing in the world. Let me explain why. While Marvel definitely runs the cinematic world with its adaptations, the realm of animation has always firmly belonged to DC. The X-Men and Spider-Man series from the ’90s are borderline unwatchable these days due to their badly aged animation and fairly by the numbers exploration of character.
Fiction tends to give crime a glamorous sheen that otherwise doesn’t exist in the real world. Stray Bullets removes that sheen and leaves us with brutal, unforgiving and often sad violence. While comics are no stranger to the world of crime fiction, Ed Brubaker’s Criminal being a particularly exciting and pulpy example, David Lapham’s Stray Bullets is one of the best at stripping it down to its core. It’s human interaction at its ugliest.