As a part of Metal Hammer’s Discs Of Doom page, Philip Anselmo has answered the question of which album should have never seen the light of day with Metallica’s Load, and he’s been quoted as saying “It’s a terrible record”. Fans of Anselmo will probably agree with him, and almost most of the garbage that spills from his mouth, but it’s had to take someone seriously when their last solo album, Walk Through Exits Only, was one of the shittest albums of this century so far.
Another year, another opportunity to put the Soundwave line-up under the microscope – which seems pretty one-sided this time around with plenty of non-metal big names like Soundgarden, Faith No More, Incubus, New Found Glory, Fall Out Boy and All Time Low outnumbering the familiar metal drawcards such as Lamb of God, Fear Factory, Slipknot and Marilyn Manson.
By the time you read this all the Soundwave news might have broken. At the time of writing this, the line-up was being drip-fed on Twitter at a rate of one band per day. Is it my job to know who The Interrupters, Patent Pending, Butcher Babies and Coldrain are? Of course it is, but I’m way too old for all four of those bands.
It definitely looks like this year is shaping up to be one of the most important years in Australian heavy metal. Last fortnight we here at THTH discussed the super kick-arse news about the upcoming release of Metal Down Under: A History of Australian Heavy Metal on DVD, and now this issue we have even more super kick-arse news about another totally super f*ckin awesome release: The Encyclopedia of Australian Heavy Metal!
In less than a month one of the most exciting Australian heavy metal releases in years will hit the shelves – and I’m not talking about a new AC/DC album. The documentary Metal Down Under: A History of Australian Heavy Metal will be released on DVD – and it looks like it’ll be amazing. Metal fan and filmmaker Nick Calpakdjian took two years to travel this wide land to interview more than 40 people in the know including metal musicians, fans and metal media.
It’s only just gone winter but talk of music festivals early next year has really heated up. Much to the dismay of countless emos, teeny-boppers and try-hard hipsters, Big Day Out 2015 has been cancelled. But on the flipside, Soundwave 2015 will be run over two days. That’s right; that could mean either double the number of bands or double the allotted time for each slot. Since there are no real details yet we can just speculate.
Welcome to THTH, Forte’s premier source of all things heavy, hard, fast and metal. To somewhat little fanfare, the seemingly understated and conservative UK Metal Hammer Golden God Awards ceremony for 2014 was held the other day. I’m not entirely sure if the statue winners were decided by a public vote but looking at the winners list, and considering the mag would encourage reader participation, the winners aren’t much different to recent publicly-voted award winners.
Here’s something out of the all-ordinaries. A recent report by City Lab has suggested that countries with higher wealth also have more metal bands per 100,000 residents. Basically, the stronger the country’s economy, the more metal bands reside within that country. Unsurprisingly, Scandinavia has the highest concentration of metal bands per 100,000 residents and also boasts a high level of “relative wealth, robust social safety nets and incredibly high quality of life”. Australia, North America and the rest of Anglo-Europe all have roughly the same amount of metal bands per 100,000 and share similar economies.
In metal news recently, a fan of Five Finger Death Punch, Mark Douglas, who is also a father, had taken his nine-year-old daughter, Olivia, to the show. At the show Olivia was invited on stage to join in singing the chorus on FFDP’s ‘Burn MF’ (the chorus goes “burn motherf*cker, burn” apparently) while her father stood aside to film his daughter’s vocal debut. During the song FFDP’s vocalist can be seen performing the song while holding the microphone next to Olivia’s ear.
If you watched at home then you’d have witnessed the shambles where there were long awkward silences, the long cut to the feed, the terrible sound, the lengthy technical issues before Guns N’ Roses’ hour-long set, and when Joan Jett and Taylor Momsen were asked to perform their rendition of ‘I Hate Myself for Loving You’ for a second time straight after they finished.