Last week we saw the results of The Age Music Victoria Genre Awards. The Age Music Victoria Awards are the largest publicly voted music awards in Australia.
There are eleven categories covering a range of music genres, from heavy metal through to the blues. Nominees in each category were chosen by a panel of music industry professionals and media, with eligibility restricted to Victorian releases and performances between October 1, 2013 and September 30, 2014.
I’m going to go a little off-topic today and talk about movies. But they’re comic book movies, so it’s okay! Unless you’ve been living under a pretty large pop-culture/internet-blocking rock, you’ve probably noticed that DC has made some serious moves into the entertainment world.
Many readers will know about the Brill Building on Broadway in Manhatta. For those of you who haven’t heard of it, it’s a 1931, 11-storey building which has been amazingly significant in the USA music industry. Incidentally, for those with a QI sort of mind, it got its name from a haberdasher with a store on ground level. Must have been a good shop because he bought the building!
The Chaser are back! Well, some of them are back: their new show The Chaser’s Media Circus (Wednesday’s, ABC1, 8.30 p.m.) – which only started the night before this issue of Forte went to print, so it’s all press releases and speculation at the moment – doesn’t feature the full complement of the Chaser team.
If you read my website or column you’d know by now how much I love France. I got the chance to live there a few years ago on and off working in a chateau, and I go back every time I head to Europe. I learnt the language for a few years (even though it’s a little rusty!) and like to spend my time imagining a simple life living in a French loft in Montmartre, buying my baguettes every day and riding my bike everywhere with my scarf flowing in the wind on my way to gallery exhibitions.
Tina Arena has always been one of my all-time favourite artists. Over the last 30 years she’s soundtracked a number of important hallmark moments with her music. Too young to have been won over by her on Young Talent Time, my first exposure to Tina was through the release of her second single in 1990, the iconic ‘I Need Your Body’, whose video clip saw Arena dancing about what looked like Melbourne’s The Forum, almost bursting out of her tightly-fitted and booberiffic ensemble.
So I figured that it was about time that I talked about Identity Crisis. I’ve had the book for a while now – I picked up an Absolute Edition pretty cheap – but I haven’t talked about it until now because quite frankly I didn’t know what to say about it. Now, I might be something of a DC fanboy, but even I will admit that their content has been really sub-par of late.
Over the past couple of weeks, I’ve visited some of the biggest music cities in the US. Before I start to tell you of my adventures, it should be noted for the record that everything is bigger in Texas. From the hospitality industry to gigs, I highly recommend that if you’re headed to the US to listen to and experience the scene, Austin is on your agenda.
Whilst the weather has been warming up recently, so has the prospect of a new job. Hiring season is most definitely here, and rivalry is in the air. Considering how many young people are looking for a job over summer, you can expect the competition to be fierce.
This issue, no hanging crap on the hipsters, boy bands and acoustic guitar-playing busker types infiltrating the punk scene – I promise … mostly because this column is no place for them to begin with. Somebody ask Henry Rollins what he thinks of acoustic guitars. He’ll probably tell you they’re only good for smacking hippies with.